Annotations And Interpretations Of Bronze Musical Instruments In Early Spring And Autumn Period

Bronze musical instruments are important and the most representative historical relics in the music culture of the three dynasties,Xia,Shang and Zhou dynasties.On the basis of previous scholars’ research,this article selected bronze musical instruments with inscriptions in early spring and autumn for research.The book "Image Integration" by Mr.Wu Zhenfeng included a total of 57 pieces of bronze musical instruments in the early spring and autumn,including1 in Rui State and 13 in Zeng State,1 in Zhu State,1 in the Ruo State,11 in the Qin state,10 in the Chu state,1 in the Zhu State,8 in the Guo State,and 11 in other countries.However,because some bronze musical instruments were unearthed in complete sets,and the inscriptions were the same or not very different,so the unearthed sets and the inscriptions were the same or not vry different,I chose one or several of one set for collection and interpretation,a total of 31.Collect basic information about each bronze musical instrument and related research results,combine the description of the bronze with the annotation,interpretation and translation of the inscriptions,and compile them into a series.Each bronze musical instrument records its basic information in detail,including the name of the utensil,the casting time and excavation information of the utensil(including excavation time,location,etc.),the description of the shape and decoration of the utensil,the number of inscriptions on the utensil,the inscription of the utensil and other information about utensils.This article focuses on annotating,interpreting and interpreting a single inscription or multiple inscriptions of each inscription on each object.The collection of an notations focused on previous scholarsrelated research on related inscriptions,and discussed related historical figures,difficult words and language phenomena,and historical events.The focus of this article is mainly on the collection and interpretation of the inscriptions of early bronze musical instruments in the Spring and AutumnPeriod.This article includes eight parts.The first part is an introduction,which can also be called an introduction,which mainly introduces the reason and significance of this topic.This article mainly contains seven aspects.The first part is an introduction.First,it introduces the reason and significance of this topic.Secondly,it summarizes the research status from three monographs,master’s and doctoral thesis and journal papers,and then writes out the research methodsto be used in this article are literature research and comparison.Law,finally pointed out the innovation of this article,followed by the text,continue to create the text behind.In general,the time of the second part to the sixth part are all in the early spring and autumn,but the space is different,so we will discuss its bronze instrument inscriptions from various countries in various regions.Separately,the second part is the annotation and interpretation of the bronze musical instrument inscriptions in Guanzhong region in the early spring and autumn,mainly including the Rui Gong Bell of Rui State,the Qin Zi Bell of Qin State,the Qin Gong Bell(5 pieces),the Qin Zi Bell,Qin Gong Bell Qin Gong Bell Annotation and interpretation of these 10 pieces of bronze mus-ical instrument inscriptions.Mainly for the inscription of Rui Gong Bell "Rui Gong" and the inscription of Qin Zi Bell "Qin Zi","yang yang yong yong","Qin Zi order and be on the throne " Annotations and interpretations are carriedout,and then the inscriptions and interpretations of these 10 bronze instrumentinscriptions are explained;the third part is annotations and interpretations of bronze instrument inscriptions in the middle and lower reaches of the Yangtze River in the early spring and autumn,mainly including Annotations and interpretations of the five bronze musical instrument inscriptions of Zeng Houzi Bell and Zeng Houzi Bell of Zeng State,Ruo Gongziren Bell of Ruo State,Chu King Bell and and Master Chu’s Deng Bell of Chu State.Mainly to Zeng Houzi’s Bell’s inscription "Zeng Houzi",Ruo Gongziren Bell’s inscription "Ruo Gongziren","ancestor Ai Gong and Zhen Gong",Chu King Bell’s inscription "Chu King "," Qiong Zhong Mi Nan ",The inscriptions of Master Chu ascended the bells,"Master Chu’s Deng Xue Shen" and "Wu Yu Rong Gong)",were annotated and interpreted,and then the five inscriptions on bronze instruments were explained in conjunction with the content of the annotations and interpretation;fourth The part is the annotation and interpretation of the collection of bronze musical instrument inscriptions in Shandong area in the early spring andautumn,mainly including the collection of annotation and interpretation of theb ronze inscriptions of Zhu Hou Qiu Bell of Zhu State and Zhu Daza Xie Zijing Bell of Zhu State.It mainly focuses on the inscriptions of Zhu Hou Qiu Bell’s inscriptions "Zhu Hou Qiu","Ji Jiang" and Zhu Daza Xie Ziji-ng Bell’s inscriptions " Zhu Daza Xie Zijing","buckle" And interpretation,and then explain the two bronze musical instrument inscriptions in combination with the annotation and interpretation;the fifth part is the annotation and interpretation of the bronze musical instrument inscriptions in the Central Plains region in the early spring and autumn,mainly including Guo Ji Bell(3 pieces))Annotation sand interpretations of these three bronze musical instrument inscriptions.Mainly annotate and interpret the inscriptions of Guo Ji Bell’s inscription "Guo Ji",and then explain these three bronze musical instrument inscriptions in combina tion with the annotations and interpretations;the sixth part is the annotation and interpretation of the collection of bronze musical instrument inscriptions in other regions in the early spring and autumn,including Tian Yin Bell(Tian Yin Bell)(2 pieces),Rong Sheng Bell(8 pieces),Xu Tao Yin Zheng Cheng,these 11 pieces of bronze musical instrument inscriptions And interpretation.Mainly the collection and interpretation of Tian Yin Bell’s inscriptions "Tian Yin","Yuan Nong" and Rong Sheng Bell’s inscriptions "Rong Sheng","chi chi","qi jue ming xing",etc.The contents of the annotation and interpretation explain these 11 bronze musical instrument inscriptions;the seventh part analyzes the inscriptions of various regions and countries from the five aspects of the purpose of the instrument,the type of the instrument,the identity of the owner,the content and meaning of the inscription,and other five aspects comparison;the eighth part is the overall summary of the above research content.