| Three years of professional study is coming to an end."Image consciousness" and its phenomenon are the central theme of my thinking through my dissertation.In a certain artistic or cultural context,they do have their signifiers and referents,and the fields involved are not limited to the disciplines of fine arts.And there are numerous arguments and texts required to be interpreted,therefore,with certain length,I hope to make a general summary about the relationship between text and images,and at the same time make a pivotal outline to the thousand-year circulation of visual arts,so as to provide a new humanistic perspective for the progressive expansion of this topic.This is undoubtedly a huge challenge for me.Generally speaking,In the category of visual art and related experience fields,"image consciousness" and its phenomena,both their morphological analysis,style presentation,and viewing methods,are of important realistic significance and functions.In fact,in the context of artistic creation experience and art criticism,discussions regarding this concept are often scarce.What this article explores is the relationship and differences between image consciousness and the apparent phenomena experience.The observation and discussion of Chinese contemporary art and its individual cases should also be a meaningful attempt for us to effectively activate innovative thinking at the concept and method level. |