Analysis On The Formation Of Profile Group Portraits In The Paintings Of Ethnic Minorities ——Focusing On The Works Of The 6th-13th National Art Exhibition

In all previous national art exhibitions,there are a large number of paintings with ethnic themes,among which the pattern of profile group portraitappears frequently.The purpose of this study is to explore the reasons why the profile group portraits are widely used in ethnic minority themes.In the 6th-13 th national art exhibition of Chinese painting,oil painting,printmaking,watercolor and pastel painting,the profile group portrait pattern mainly appears in the theme of ethnic minorities,accounting for about 60% of all themes.Most of them face left,and the number of oil paintings is the most.The composition forms of these works can be divided into horizontal distribution and stacking,and the contents can be divided into labor production,folk activities,religious activities,riding and state description.This paper analyzes the reasons for the emergence of the large number of profile group portrait.The first reason is the inheritance of the pattern,and the profile pattern is often found in works with the characteristics of primitive thinking or reflectingdiscipline and piety,and worksin classical style showing restraint and rationality.The second reason is the pursuit of the sense of form.The third reason is the fitnessbetween the pattern and the spirit,The profile forms can evoke the impression of the ethnic minorities and reflect the religious religion emotion and collective character,and keep the space of the picture independent to form a sense of distance and mystery,and implicitly symbolizes beauty and hope with distance,showing that the life of ethnic minorities is full of happiness and sunshine.This thesis plays an active role in studieson the source of this pattern in the theme of ethnic minoritiesand studies on the relationship between the pattern and spiritual expressions.