A Study Of The Mo Drama Of The Yuan Dynasty Drama

Mr.Wang Guowei said: “Every generation has literature from one generation: Chu Zhisao,Han Fu,Six Generations Slang,Tang Poems,Song Ci,Yuan Zhi Qu.The so-called generation has a generation of literature,and future generations can not succeed.”As Wang Guowei said,as a representative literature of the Yuan Dynasty,Yuan Qu has left a strong mark in the history of Chinese literature,especially in the Yuan Zaju,and in the form of “story of dance and song”,A generation of literature.Its birth announced the arrival of the first peak in the history of Chinese opera.It stood out from many folk tricks,and the tricks were second to none.After being performed by artists,they performed brilliantly in northern China at the time.Yuan Zaju is divided into two categories,the final version and the Dan version,according to the different singing systems.At present,the research on Zaju is mainly focused on the investigation of individual writers and works.Although the research has achieved fruitful results.At the same time,there are some problems in the research,such as the above two classifications of the Yuan Zaju.The research results of the Dan drama are Mo drama,but the overall drama of the final drama is lacking.Based on the above reasons,this article takes the Mo drama of the existing Yuan Zaju as the object of discussion,and analyzes and explores the existing Yuan Zaju as a whole to explore its significance.Based on the existing results,this article plans to elaborate from the following aspects:First of all,the investigation of the “Mo ni” in the drama of Song,Jin and Yuan.Under the broad framework of the history of Chinese opera,from the perspective of historical development,this article explores the “Mo ni”color of the two performance forms in the two periods.By comparing the role of the Mo at the end of the two periods in the specific performances and dramas,The change of status leads to the conclusion that the two names are the same.However,this kind of situation with the same name has been verified by the author’s research and found that it is not an accidental phenomenon,but is related to the expansion of the role of the role in the play.Secondly,based on the predecessors’ classification of the Yuan opera,the Mo dramas of this period were classified.Through the author’s analysis and quantitative investigation on the types of the Mo dramas of the existing Yuan operas,I find that the proportion of love dramas in the Mo dramas is small,and the love dramas are mainly manifested in the Dan dramas.Divided into several categories such as immortalization,public case,society,history,etc.and then focus on the final drama of these major categories.Third,the main protagonists in the Mo drama are classified and explained.After judging the main character in the play according to the previous chapter,the main character in the final play is determined according to his character identity and personality characteristics,and the cultural connotation of the character image is explored.Fourth,among the Mo dramas,the historical dramas have the largest number of Mo dramas,and the Mo dramas are taken as an example to explore the characteristics of such final dramas.From the analysis,it can be seen that the characteristics of this kind of Mo drama are:the prominent social status of male as the main body,the generous and magnificent style,and the plot pattern.Finally,On the basis of completing the investigation of the entire final play,the existing candidates are discussed.Through quantitative analysis,it is found that the Yuan Zaju that people see is only the tip of the iceberg of the play.This play is the main part.From the internal and external factors,explore the reasons for the prosperity of the Mo drama,and express my opinion.