| Zong Baihua’s aesthetics is first a kind of life aesthetics.The rhythm of life is its ontology,Yin and Yang are the foundation of the rhythm of life,and the traditional Chinese life philosophy of "the unity of heaven and human being" is its background color.It takes"life" as the first essence of aesthetic appreciation."life" is all the natural life of the universe,which naturally contains the overall consciousness of ecology.Zong Baihua discovered "dynamic and organized""life rhythm" the thought core,and then the universe nature,art and life connection,in the way of"sympathy" the individual life emotion and natural movement rhythm of fusion,and mainly with the help of art this rich form,construct the dialectical unity of nature,art,life,presents a great flow,through "whole" theory aesthetic form,contains a certain ecological wisdomThe main body of the paper is divided into four parts.The first chapter mainly discusses the background of life aesthetics and cultural philosophy.The first section,the background,includes three parts:time background,personal experience and academic road,and the relationship between Zong Baihua and modern Neo-Confucianism.First,the western philosophy of life came into China and had a greater influence at the time.Secondly,by sorting out Zong Baihua’s personal experience and academic road,it can also help us to better understand the formation and improvement process of its life aesthetics.In addition,Zong Baihua has an intersection with some representatives of Neo-Confucianism,and the development and maturity of his life aesthetic thought and modern Neo-Confucianism should inspire each other.The second section mainly traces the foundation of western life philosophy of the aesthetics.Zong Baihua ’s early understanding of life ontology was mainly influenced by Schopenhauer,Bergson’ s life philosophy and Goethe’s life personality.The third section analyzes the basis of traditional Chinese life philosophy of Zong Baihua aesthetics.After Zong Baihua’s life philosophy and aesthetic thought matured in the return to the classical Chinese philosophy of life,he was influenced by the combination of Zhouyi,Confucianism,Taoism,Zen and other philosophy,especially based on the philosophy of "Zhouyi" of"the unity of heaven and man","The Great Virtue of heaven and earth called Life" and "Life means Yi".The second chapter mainly explains the connotation of the life aesthetics,which is the core part of the thesis.The first section reveals the life rhythm of——"born and organized"of Zong Baihua’s life aesthetics,and then discusses it from three aspects of connotation,foundation and expression respectively.The "life" of the rhythm of life contains multiple levels,more refers to the great universe life or nature in the sense of the philosophy ontology;Yin and Yang are the foundation of the rhythm of life and the rhythm of life is not only in philosophy and art,but also in ancient Chinese rites and music culture,in the daily life of the ancients.The second section focuses on analyzing the connection between the rhythm of life and artistic artistic conception,time and space,virtual and real problems,so as to help us better understand the ontological position of the rhythm of life in the Zong Baihua’s aesthetic system.The third chapter mainly introduces the ecological implication of Zong Baihua’s life aesthetics.Zong Baihua,to some extent,found the ecological connotation of ancient Chinese aesthetics:firstly,the ecological implication of life aesthetics is reflected in the emphasis on the beauty of nature and the interpretation of the relations between human and nature in ancient China;secondly,the ideas of "the unity of nature and man" "inherit kindness and achieve nature" in "Yi Zhuan" contains rich ecological aesthetic wisdom;in addition,with the help of the rhythm of life,the main line connects through nature,art and life,presenting the aesthetic form of "whole life" theory of great circulation and one gas,which has obvious ecological implication.The fourth chapter briefly explores the enlightenments of Zong Baihua’s life aesthetics and its ecological implication.Firstly,Zong Baihua called on us to set up an artistic outlook on life.Secondly,Zong Baihua’s life aesthetics is the great experiment of Mr.Zong to carry forward the beautiful spirit of Chinese culture,consciously promote the modern interpretation of Chinese classical metaphysics,encouraging us to have the courage and be good at the modern transformation of traditional aesthetics theory,so that it becomes an effective path to construct the contemporary aesthetic discourse system of Chinese aesthetics.In addition,the grim reality of the relationship between man and nature warns us to break the traditional epistemology of the dual opposites and try to establish a holistic,participatory world view. |
