Research On The Theory Of "Aesthetics Of Creating Life"

"Aesthetics of Creating Life" derived from the proposition of "Creating Life is Yi" in the Book of Zhou Yi,its academic goal is to realise the contemporary transformation and innovative development of traditional Chinese core values,and is a new attempt to explore the Chinese form in the field of ecological aesthetics.It is included in ecological aesthetics,which is a new achievement in the field of aesthetics since the reform and opening up of China.As early as the end of the 20 th century and the beginning of the 21 st century,Liang Shuming,Zong Baihua,Fang Dongmei,Liu Gangji,Meng Peiyuan and other predecessors and scholars have already discussed the beauty of creating life,and its connotation is extremely rich,including the changes in ancient Chinese thought and culture,everything changes,Side,Nihon Sin,Neutralization and Benevolence and so on.In 2002,Cheng Xiangzhan formally proposed the "Aesthetics of Creating Life" based on the ontology of life,and has continued to expand and build on its theoretical sources and connotations.Since 2017,Zeng Fenren and other scholars have vigorously advocated the "Aesthetics of Creating Life" and made remarkable progress.As a Chinese form of ecological aesthetics,"Aesthetics of Creating Life" is of great value.This paper focuses on the concept of "Aesthetics of Creating Life",combining with the development of "Aesthetics of Creating Life" in our country,and forms the structure frame and main content in four parts.On the basis of discussing the source and background of the selected topic,the introduction summarizes and evaluates the current research situation,and expounds the aim and significance of the research.In the first chapter,the origin and development of the concept of "Aesthetics of Creating Life" are analyzed from three aspects: the discussion of "the beauty of creating life",the proposition of "Aesthetics of Creating Life",and the expansion and deepening of "Aesthetics of Creating Life"."Aesthetics of Creating Life" takes the traditional thought of Creating Life in China as the philosophy ontology,value orientation and civilization idea,and takes the beauty of heaven and earth as the highest aesthetic ideal.In the process of constructing ecological aesthetics in China,Cheng Xiangzhan also used ecological wisdom T,axis period theory and other western ecological philosophy resources for China.In the second chapter,this paper analyzes the concept of "Aesthetics of Creating Life" and related theories,Firstly,the conceptual meaning and theoretical connotation of "Aesthetics of Creating Life" are explained,and the relationship between ecological aesthetics and "Aesthetics of Creating Life" is discussed.Through a review of Zeng Fanren and Cheng Xiangzhan’s notions of "Aesthetics of Creating Life" as a "Creating Life Theory position" of ecological aesthetics and "Aesthetics of Creating Life" as a Chinese attempt to study ecological aesthetics,The aim is to clarify the relationship between the two and to synthesize the evaluation and even the clarification of the meaning.Secondly,this paper analyzes the theoretical basis and clue of "Aesthetics of Creating Life",excavates the ecological aesthetic wisdom contained in the Chinese classical theory represented by Confucianism in pre-Qin Dynasty,and probes into the ecological thoughts and wisdom of Confucianism,such as "harmony of heaven and man" and "Creating Life is Yi".In Chinese classical culture,"Sheng" has evolved into an important philosophical category.The life of all things is regarded as the basic characteristic of heaven and earth.The third chapter applies the theory of "Aesthetics of Creating Life" to aesthetic phenomenon,aesthetic experience and criticism,First of all,take "changing seasons and giving birth to all things’ ’,and new media art as examples,analyze their ecological aesthetic thoughts,and explain the aesthetic phenomenon of " Aesthetics of Creating Life’’;Then,by analyzing the artistic conception of the "Aesthetics of Creating Life" in classical Chinese poetry and contemporary poetry,this paper discusses the presentation of the "Aesthetics of Creating Life" in poetry,the beauty of creating life is self-evident,and the aesthetic features of life are more obvious.Finally,the national spirit of self-improvement and selfless love is reflected in the film art.The fourth chapter discusses the academic value and practical significance of "Aesthetics of Creating Life",and makes deep thinking on the future development of "Aesthetics of Creating Life" in China.In the face of the common destiny of mankind,from the angle of "Aesthetics of Creating Life",man should think not only about himself,but also about the common development of all mankind and the balanced development of ecosystems,because man and nature are also a community,interconnected and integrated.Therefore,"Aesthetics of Creating Life" is one that pays attention to the community of life and the ecological community.Its main purpose is to advocate the harmonious symbiosis between man and nature,the "win-win" of economic and social development and natural ecological environment protection,and the "symbiosis for life" of ecological civilization.This is the academic pursuit and the mission of the times of "Aesthetics of Creating Life".At present,in the "post-modern" context,the western instrumental rationality has been "deconstructed" and the traditional Chinese culture and aesthetics have been recognized to some extent.The "Aesthetics of Creating Life" itself still needs to be further explored,interpreted and promoted.We still need to reflect on the construction of the theory and criticism of "Aesthetics of Creating Life",define the relationship between "Aesthetics of Creating Life" and ecological aesthetics.The development of the theory of "Aesthetics of Creating Life" should always keep an open and generative outlook.The construction of Chinese discourse system of ecological aesthetics has a long way to go.