Mainstream And Folk "Carnival"

What is the drama in the Northeast Liberated Area? The Northeast Liberated Area drama refers to the drama activities carried out by the Chinese Communist Party in the Northeast base areas and liberated areas during the War of Liberation.What is Yangko Opera? Ji Xiaohua said in "The Creation and Enlightenment of Yangko Opera in the Luyi Period in Yan’an" : "Yangko opera is a comprehensive art form that combines drama,music and dance.It is a new type of square song and dance opera." Northeast Liberated Area Literature is an important part of Northeast modern literature.After the drama reform during the War of Liberation,the Yangko opera represents the prosperity of the Northeast Liberated Area drama,which not only contains folk characteristics,but also conforms to the mainstream thinking.The study of Yangko Opera in the Northeast Liberated Area can enrich the Northeast Liberated Area literature and Northeast modern drama,and also contribute to the promotion and development of the Northeast regional culture.This article is divided into three parts:The first part is an introduction,which sequentially introduces the purpose and significance of the research,a summary of the research on Yangko opera in the liberated area of Northeast China,research framework and methods,and a clear idea for the writing of the main part of the article.The second part is the main text,consisting of four chapters.The first chapter starts with the generation and dissemination of Yangko opera in the liberated area of Northeast China,analyzes the reasons why Yangko opera was produced in the Northeast region and is widely disseminated and used,and points out the main body,audience and media of Yangko opera under the background of a specific era.The second chapter mainly focuses on the revolutionary features of Yangko Opera in the liberated area of Northeast China.The Yangko opera in the liberated area of the northeast was transformed into the old opera under the nationalization and popularization of the revolutionary policy,taking the essence and removing the dross on the original basis.Yangko Opera presents revolutionary features in terms of theme content and character creation,and Yangko Opera has become a carrier of communication and exchange between official discourse and folk discourse.The third chapter mainly discusses the carnival characteristics of Yangko Opera in the liberated area of Northeast.Although Yangko opera as a folk culture is disciplined,it still retains its own unique folk characteristics.The participation of the whole people in the interaction,the use of Northeast dialects and other external forms of expression reflect its as a folk culture against official culture.Northeast Shaman culture is the core of its carnival spirit,reflecting the unique charm of folk culture.The fourth chapter elaborates the significance and value of Yangko opera in the liberated area of Northeast China.Yangko Opera has played an important role in its prosperity and development in a specific historical period.Yangko opera,as the official discourse,spreads thoughts and educates the people,accelerates the establishment of a new folk order in Northeast China,opens a new era of mass literature and art,and is in the same line with later dramas.It is endless and has become a red memory on the black land.The third part is the conclusion,concluding the whole article,summarizing and reviewing the content involved in the Yangko opera in the liberated area in the northeast,and pointing out the shortcomings and deficiencies of the Yangko opera in the liberated area in the northeast,aiming to systematically sort out and grasp the Yangko opera in the liberated area in the northeast,While drawing a node for this thesis,but also summing up and accumulating experience for future writing.