Research On Industrial Drama In The Northeast Liberated Areas(1945-1949)

Northeast China has always been a fertile land for literary creation,and the literary creation in Northeast China has also shown several historical patterns of prosperity.In the long history of modern and contemporary Chinese literature,it is not difficult to catch the shining traces of Northeast China’s literature.After the restoration of the Northeast in 1945,the literature of the Northeast Liberated Areas directly inherited the spirit of Yan’an Literature and Art and Mao Zedong’s Speech at the Yan’an Literature and Art Symposium,and the Northeast completed the deconstruction and reconstruction of its own literature.In the literature of the Northeast Liberated Areas,as a genre with rich content,wide variety,easy-to-understand and easy to spread,drama has obtained active and fruitful creation,helped to complete the historical mission of land reform propaganda,cultural education,revolutionary enlightenment and production construction,and has become one of the important signs of the great prosperity of the literature in the Northeast Liberated Areas.Returning to the scene of the Northeast Literature and Art,the drama in the Northeast Liberated Areas has rich historical implications and red value.Based on this,the thesis will mainly focus on the "Study of Industrial Drama in the Northeast Liberated Areas(1945-1949)",which will be systematically discussed in five chapters.The first chapter mainly starts with the multiple generation context and communication environment of the industrial drama in the Northeast Liberated Area,in order to make a dialectical interpretation of the industrial drama in the Northeast Liberated Area as a whole,in part,in general and typical.First of all,from the political context of the implementation of the "Speech",the geographical context of the revolutionary enlightenment,and the cultural context of the coexistence of multiple elements,the paper analyzes the context of the multiple blending of the industrial drama of the "new born at the time" in the Northeast Liberated Areas.Secondly,from the perspective of institutional media systems such as newspaper and drama groups,the main body of communication with literary and artistic workers as the main body,and the audience with workers,peasants and soldiers as the main body,we will explore the multi-dimensional and broad communication environment of the industrial drama "blooming everywhere" in the Northeast Liberated Areas.The second chapter focuses on the period from the restoration of the Northeast to the Resolution of July 7,and studies the industrial drama of the Northeast Liberated Areas,which mainly focuses on "transformation" before the "turn".First of all,in the process of reflection from the perspective of drama,we should explore the interlinked value of industrial drama in the Northeast Liberated Area and rural drama in Yan’an Liberated Area.Secondly,as the "red continuity",the drama of the Anti-Japanese War,the drama of the old liberated areas and the drama of the Northeast liberated areas are in the same line.From the drama of the Anti-Japanese War to the drama of the old liberated areas,the drama is more "concerned about the people and close to life".From the drama of the old liberated areas to the drama of the Northeast liberated areas,the drama has gone through the process of "introduction,introduction and dissemination".Thirdly,it analyzes the characteristics of the industrial drama in the Northeast Liberated Areas before the "turn",including the aesthetic ideology of the combination of nationality and people’s character,and the performance of the drama of the collision of politics and localization.The third chapter focuses on the period from the Seventh Resolution to the founding of the People’s Republic of China,and studies the industrial drama in the Northeast Liberated Areas,which focuses on "creation" after the "turn".First of all,from the "77 Resolution" and the "Mass Drama Movement",explore the development context of industrial drama in the Northeast Liberation Area after the "77 Resolution".Secondly,it analyzes the text core of the industrial drama in the Northeast Liberated Area: describing the life and ideological transformation of industrial workers in the factory;Eulogizing workers’ support for construction and industrial recovery;Eulogize the labor union,the new system of factory production and the labor insurance system.Then it depicts and reappears the glamour of industrial drama in the Northeast Liberated Area.There are growing workers,model worker and other front-line workers,revolutionary cadres,advanced factory directors and other managers.The fourth chapter discusses the development direction and public acceptance of industrial drama in the Northeast Liberated Areas.First of all,it analyzes the development direction of industrial drama in the Northeast Liberated Areas from three aspects: "mass" collective creation of "writing workers,performing workers,and showing workers" to "writing workers,performing workers,and seeing workers","localization" of the original language,"localization" of the regional style of drama,and "plazaization" of the interactive space "mainly based on factory squares and streets,supplemented by theater stage".Secondly,it studies the public acceptance of the industrial drama in the Northeast Liberated Areas.From the perspective of the acceptance effect and the reasons for recognition,the industrial drama in the Northeast Liberated Areas has completed the general enlightenment to the people,and has gained the general recognition of the people in the Northeast Liberated Areas with its life-like drama conflict.The fifth chapter explains the evaluation and reflection of the industrial drama in the Northeast liberated area.First of all,it explains the historical implication and red value of the industrial drama in the Northeast Liberation Area.From the perspective of drama history,the industrial drama in the Northeast Liberation Area is the continuation of the drama tradition in the Yan’an Liberation Area and the prelude to the prosperity of the industrial drama in the Republic.From the perspective of the red foundation,the literature of the Northeast Liberated Area is the red literature and art on the black land.Through the study of the creation and acceptance of the industrial drama in the Northeast Liberated Area,the value of the new Chinese red literature and art in the 1940s and the literature of the Northeast Liberated Area can be reinterpreted.Secondly,it points out the limitations and deficiencies of the industrial drama in the Northeast Liberated Areas.The industrial drama in the Northeast Liberated Areas lingers outside the literary history,and has certain deficiencies in the literary and poetic aspects.In the development of modern and contemporary Chinese history and literature,Northeast China has a necessary strategic position,complex historical context,and diverse literary characteristics,occupying an unparalleled important position.There is still much room for the study of industrial drama in the Northeast Liberated Areas.Northeast regional literature such as literature in the Northeast Liberated Areas is an important component of Chinese literature,and it has a realistic opportunity to reinterpret Chinese literature.Its creative practice and complex changes are worthy of our in-depth study and discussion.