Inheritance And Development Of Quyang Clay Sculpture In Hebei Province

The emergence of clay figurines can be traced back to the Neolithic period in China,and the art of clay figurines has never been interrupted in its historical evolution.Different human geographical environments and customs have created unique clay figurines in each region.Through the efforts of several generations of clay figurines artists,this excellent art form has been inherited to this day.However,with the change of times,the progress of science and technology and communication means,the most primitive and simple clay culture has been gradually forgotten by everyone.Under the background of the new era,Quyang clay sculpture in Hebei should actively consider the ways of inheritance and development,so that the excellent culture of our country can be passed down from generation to generation.Most of the literature and materials related to Quyang Clay Sculpture in Hebei are TV interviews and small-length articles,and lack of large-length and systematic research materials.This study is value to the inheritance and development of Quyang Clay Sculpture in Hebei Province,that can provide referenced materials for others,and supplement the existing research materials.Quyang clay sculpture in Hebei is still weak in the development of cultural and creative products and other innovative aspects.This paper will provide suggestions for the innovation and development of Quyang clay sculpture from many aspects.This research mainly adopts field observation method,literature research method,field investigation method,questionnaire survey method,practice learning method,visit investigation method and other research methods,through the clay artists Ma Ruote,Ma Zhiguo and other case studies,to obtain personal experience and first-hand information.This paper consists of five parts,the first part,introduction.This paper introduces the background,significance,purpose,research method,topic source and research status.The second part,Quyang clay sculpture overview.This paper mainly introduces the emergence and development of clay sculptures art and the general situation of each region,and expounds the emergence and the identification of Intangible Cultural Heritageof of Quyang Clay Sculpture in Hebei Province.The third part,Quyang clay sculpture craft production and artistic characteristics.This paper mainly introduces the clay tool material,molding steps,artistic style and artistic innovation.The fourth part introduces the inheritance and development of Quyang clay sculpture.According to the analysis of the results of questionnaire survey,visit and discussion,it is concluded that the inheritance scale of Quyang clay sculpture is small,and the degree of inheritance and attention is not high,in primary and secondary schools,the intensity of inheritance is not enough,and there are some problems,such as the lack of new marketing methods,the lack of publicity,and the lack of innovation and development.Therefore,it is concluded that we should rely on school education,pay attention to the protection of non-genetic inheritors,broaden the channels of publicity,and do a good job in the design of cultural and creative products.The fifth part,through the design of Quyang clay sculpture related teaching cases,explore the practice and application of Quyang clay sculpture in primary and secondary school art teaching.Finally,combined with the spirit of the NPC and CPPCC,rural revitalization and the historical background of intangible cultural heritage protection,it appeals to the public to participate in the protection,inheritance and development of intangible cultural heritage,and causes the general public to think deeply about the protection of intangible cultural heritage.