A Study On The Cultural Expression Of The Oroqen Documentary Video From The Perspective Of "Deep Description"

The Oroqen documentary video works use mirror images to record and describe the process of changes in the Oroqen culture embodied in its production,life and spiritual level.At the same time,it also constructs and engraves the past memories of the ethnic culture with the help of images.The inevitable painful emotions in the unique ethnic cultural changes and reflections on the crisis faced by cultural inheritance.For a small population with only language and no writing,the recording of images is an important way for its cultural rescue,protection and inheritance,and how the interpretation and expression of ethnic cultural phenomena are formed,whether they can be realized,and to what extent The realization of the above is an important proposition worthy of the attention and discussion of image creators and researchers.This article uses the core concept of interpretative anthropology "deep description" by American anthropologist Clifford Geertz as the theoretical tool,and takes the Oroqen documentary video works as the research object,and discusses the cultural changes shown in the Oroqen documentary video.Ethnic memory and spiritual roots are analyzed from all angles,and the value and significance of Oroqen documentary images are considered with the cultural expression of images,and the possibility of documentary image records on cultural in-depth descriptions and realization paths are explored.The main body of this article is composed of five parts.The first part summarizes the basic appearance of the current Oroqen documentary images,briefly analyzes the two basic forms of the documentary image column for spectacle display and the cultural anthropology documentary based on field research,and points out the advantages of these documentary images in the cultural expression of the Oroqen ethnic group.Lost and lost,this article discusses the logical starting point of the "deep description" of the Oroqen documentary video culture;The second part elaborates the "mirror-like" expression of cultural changes made by the Oroqen documentary images,and points out that the recording and description of the changes in production and lifestyle are the preliminary explorations of the Oroqen documentary images in the expression of ethnic culture.However,neither documentaries nor TV programs should stop here.Instead,we should pay more attention to the role-playing of individual lives in the social environment and unique life experiences in the process of change,instead of staying at the level of cultural display and other phenomena.On the expressionThe third part discusses the "ritualized" expression of ethnic memory in the Oroqen documentary images,focusing on clarifying that in the reconstruction and writing,the ritualized expression achieved by symbols is an effective expression of the Oroqen documentary images for ethnic memory,and it is certain.Cultural "deep profile" achieved to a certain extent;The fourth part explores the "philosophical" expression of the Oroqen documentary images on the ethnic spiritual psychology,and points out the philosophical expression that should be in the cultural expression of the documentary images: thinking about the future trend of culture in the pain of cultural change,Explore the infinite possibilities of cultural inheritance in the melancholy of cultural faults,actively integrate into the development of the times,and seek community cultural identity.This is a rational attitude facing the current situation and future of Oroqen culture,and it is also the positive meaning of cultural "deep description";Based on the above analysis,the fifth part demonstrates the imagination and path of the "deep description" of the Oroqen documentary video culture.Starting from the problems existing in the documentary images of the Oroqen ethnic group,this paper proposes the possibility of a "deep description" of a full shift to daily life,and advocates drawing on the creative ideas of "multipoint ethnography" and the model of "participatory video" to realize the culture of the Oroqen documentary images " Deep description".