The "three Musketeers Of Tiexi District":the Method Of Writing Northeast China

In recent years,the “Three Musketeers of Tiexi District”,including Shuang Xuetao,Ban Yu and Zheng Zhi,have gained much attention.This article intends to study Northeast China writing of the “Three Musketeers of Tiexi District” from three aspects.First of all,the “Three Musketeers of Tiexi District” take Northeast China as the narrative starting point,the history of Northeast China not only has its particularity,but also provides the universal experience for the Chinese contemporary literature.Zhao Benshan shot to fame in the 1990 s,and Northeast China completed its outward selfnarration.Under such a framework of “Outsider imagination”,Northeast China also achieved self-identity according to Zhao’s comedy mode.In addition,the development of rock music in China at the end of the 20 th century influenced a generation of young people in Northeast China.The double noise of the Times is internalized into the narrative rhythm of “The Three Musketeers of Tiexi District”,which also influences the theme of their creation.At the same time,Northeast China in the 1990 s also had moments of silence and bitterness.In the long system reform,Northeast China,which was known as the “Republic eldest son”,was hard to avoid the feeling of abandonment.Factory and laid-off workers are the common key words in the creation of “The Three Musketeers of Tiexi District”.When the stable system symbolized by the factory collapsed,the frequent murder,corruption and “Underworld” became the nightmare of Northeast China.The “Three Musketeers of Tiexi District” look for the possibility of re-establishing the rules in the blood-stained northern quack stories.The history of Northeast China is the blueprint of the “Three Musketeers of Tiexi District” and the premise of the three men writing Northeast China.Secondly,the “Three Musketeers of Tiexi District” have created many kinds of vivid characters.The main research object of this paper is the lost,“hunbulin” and poor wretch in their works,to examine the author’s writing of transcendental fate,disintegrating rules,and uncertain beliefs,which are the contemporary realities of Northeast China: the plight of laid-off workers,the entanglement of father and son,the madness of the disabled,the despair of the patients…All those who linger on the edge of history live again in their works,and the tenacity of their life becomes the endogenous power of Northeast China writing.Finally,after investigating the three authors’ literary occurrence and the writing of the characters in Northeast China,the paper sums up three aspects of the writing methods of the “Three Musketeers of Tiexi District”.That is the echo of historical truth and literary writing,the balance between group spirit and individual writing,as well as magical color and realistic methods.First,the “Three Musketeers of Tiexi District” used imagination as a bridge to mix the historical truth with the literary writing,and Northeast China also became a dynamic cultural structure.Secondly,the “Three Musketeers of Tiexi District” are good at emphasizing “Cogito” in group spirit and individual writing,and step by step from “I was there” to “The author was there”,and then to invite readers to enter.Thirdly,Northeast China writing of “The Three Musketeers of Tiexi District”uses a combination of magic color and the realistic methods.They construct the narrative labyrinth by means of multi-line juxtaposition and multi-level narration,and finish Northeast China writing in the abnormal behavior,the suspicious story,the uncertain ending and the unknown truth.