Research On "The Romance Of The Three Kingdoms" Of Movies And TV Plays Since 1980s

Classic literature has always been an important source of film adaptations,and it can be described as enduring.Classic works have permanent character images,story archetypes,meaning values,and a wide range of readers and influence,making the adapted films themselves have huge artistic connotations,industrial values,and social influences,and,with the turning of the times,The classics also reflect different connotations and meanings in different eras.They internally strongly appeal to film and television creators to adapt,innovate,and have an impact on society.At the same time,classic literature has also regained a new life in the second creation of film and television dramas.According to the book "The Anxiety of Influence" by the recently-deceased Yale University literature professor and literary critic Harold Bloom,this is The“misreading” produced by the classics itself,and this “misreading” is valuable and necessary,and it makes the classics sustainable [Bloom believes in "The Anxiety of Influence" that every generation of poets will encounter traditional classics Poets tried to surpass these classics by starting from their own psychology of understanding,respect,rebellion,and innovation to produce "misinterpretation" and "rebellion" of traditional classics,and this is the internal driving force for the production of new classics.Therefore,the only way to surpass this "anxiety of influence" is to make deconstructive corrections to the classics,which is in fact re-creation.Classic film adaptation is a kind of re-creation of classics,and different eras have different adaptations.One of the four masterpieces,"The Romance of the Three Kingdoms",as an important IP in the adaptation of domestic film and television dramas,has experienced a hundred years since its first adaptation in 1905.Its adaptation can be described as magnificent,rich and magnificent,and complex and changeable,and has become a literary classic.An important research topic in film adaptation research.As an important node of my country’s reform and opening up in the 1980s,it is of great significance to the development of my country’s politics,economy,and culture.The film and television of classic literature has gradually begun to be repeated since the 1980s.The film and television adaptation of "The Romance of the Three Kingdoms" has thus entered a new stage.This thesis is divided into four chapters in addition to the introduction,references,academic achievements published during school,and acknowledgments.The first chapter first established the literary value and the significance of the adaptation of "The Romance of the Three Kingdoms" as a classic literary work,which resulted in many adaptations of different artistic styles.Secondly,it analyzes the dissemination process of its own text,after experiencing text dissemination,oral dissemination and film dissemination,draw conclusions about the inevitability of its film and television.The second chapter mainly sorts out the adaptation process of a century-old film and television series of "The Romance of the Three Kingdoms",and divides the budding period,the prosperity period and the mature period according to the adaptation situation,and focuses on the textual summary from 1980(the prosperity period).Through its century-old history of film and television,sum up experience and lay the foundation for subsequent specific text analysis.The third chapter mainly selects the typical 1994 version of "Romance of the Three Kingdoms","Three Kingdoms" in 2010 and "Chibi" in 2008 for text analysis and comparison respectively,through the analysis of text and theme,character image and audiovisual language,Summarizing the law of development of film adaptation of "The Romance of the Three Kingdoms" since the 1980s.The fourth chapter mainly analyzes the current problems and solutions in the adaptation of the "Romance of the Three Kingdoms" film and television series.Through the previous historical combing and specific text combing,it is established that the "Romance of the Three Kingdoms" has the problem of excessive commercialization and destruction of classics,and Correspondingly,solutions to respect the classics,enhance the professionalism of practitioners,and strengthen the guidance of national public opinion are proposed.