| At the end of the 20th century,with the continuous acceleration of the democratization of Korean society,the development of its cultural industry embarked on a take-off road,and the "Korean wave" with film and television works,K-pop,idol stars as the specific contents swept through Asia.From the handsome men and beautiful women who stand out from Korean dramas to the current K-pop idol star group active in the global music market,"starisation" is undoubtedly the most obvious feature of "Korean wave"."Korean wave",which is popular all over the world,is to open the door to the world’s cultural consumption market by exporting a large number of stars,so as to realise the cross-cultural dissemination of its own culture.This paper takes the development context of "Korean wave" as the research background,and refers to Richard Dell’s star science research method,and then analyzes South Korea’s unique star system from the perspective of star production and consumption.How various types of stars in "Korean wave" can be constructed in its local image text,various media images and commercial operations.How does "Korean wave",which focuses on star output,have an impact on Chinese star culture? What changes have taken place in China’s star culture under this influence? This article will explore several key issues.Therefore,the research of this paper is mainly carried out from four aspects: the first chapter is to analyse the historical development of "Korean wave".Then,from two perspectives of South Korea’s self-construction and acceptance by others in China,we can analyse the reasons for the "Korean wave" boom.The second chapter mainly studies the impact of Korean drama on the aesthetic consciousness of Chinese star culture.First of all,it analyses the causes of the Korean drama phenomenon from three aspects: development stage,type exploration and production mode.Secondly,from the perspective of audience and stars,I try to explore the changes and effects of Chinese star cultural aesthetic consciousness under the influence of Korean drama.The third chapter mainly studies the impact of K-pop star-making mechanism on Chinese star manufacturing.Firstly,it deeply analyses the star-making mechanism under the K-pop industry from three aspects: star positioning,star manufacturing and star operation.Secondly,it analyse the impact and change of this star-making mechanism on Chinese star manufacturing from three aspects: star-making companies,stars themselves and consumer audiences.The fourth chapter mainly studies the impact of "Korean wave" on China’s fan culture.Firstly,the construction and characteristics of fan identity in "Korean wave" are analysed from the perspective of identity,participation in production and consumption behaviour.Secondly,this paper discusses the development and changing characteristics of Chinese fan culture under the influence of "Korean wave" from three aspects: the new characteristics of fan groups,new changes in fan practises,and new models of fan economy. |