Exploring The Instructive Significance Of "Sound And Parataxis" To Pipa Music "Xiaoyueergao"

"Xi Shan Qin Kuang" is a work on the art of guqin playing and the aesthetics of guqin music by Mr.Xu Shangying,the Yushan school of violinist at the end of the Ming Dynasty.It inherits the aesthetics of Confucianism and Taoism.It is not only a master of guqin art,but also The art and aesthetics of traditional musical instrument performance in the Qing Dynasty and even contemporary have a profound influence.The book uniquely proposes the related aesthetic categories of guqin music,and systematically and thoroughly expounds the key points of playing the piano such as movement of fingers,force,and tone,as well as the aesthetic principles of piano music.In the book,it is written that "I seek harmony in three,saying that the string and the finger are in harmony,the finger is in harmony with the sound,the sound is in harmony with the parataxis,and the harmony is perfect." That is to achieve "harmony" through the combination of string and finger,the fusion of finger sound and the fusion of sound and meaning."Yingzhou Ancient Tune" is a representative piece of the Chongming School.The theme of the piece is mostly taken from the ordinary and beautiful life,simple but vivid,showing the exquisite things in life and the taste of life.Among them,"Xiaoyueergao" uses simple melody and short space to convey the beauty of nature through the ultimate pursuit of timbre and careful attention to techniques.The performance fully demonstrated the varied timbre of pipa playing skills,and these timbre changes are exactly what music needs to express emotions,which coincides with the proposition of "Sound from the meaning" in "Xishan Qin Kuang".Through the reading and learning of "Xishan Qinguang" and related literature,the author considers how to express the connotation of the music through the control of timbre during the performance of "Xiaoyueergao" according to the guidance of "Music and Parataxis" The basis of the research is discussed.This article starts with how to achieve "sound and parataxis",analyzes how to achieve the unity of chord,finger,tone and meaning,combines with pipa playing techniques,and guides the performance of "Xiaoyueergao" music,and then summarizes the pipa The new pursuit of performing and interpreting music.