Interpretation Of Kabalevsky’s Third Piano Concerto(Op.50)

Kabalevsky is a Russian composer and music educator.In Kabalevsky’s music works,he not only has the style characteristics of Russian national music,but also follows the rigorous characteristics of classical period.In "《Third Piano Concerto》," Kabalevsky took Russian folk music as a creative element,followed the composition techniques of the classical period,and had unique innovation on the basis of inheriting the traditional mode and harmony arrangement.In the interpretation of "《Third Piano Concerto》,"the theme melody of different styles has different timbre expressions.Players need to choose the corresponding key-touching method,and the expression of strength and speed should strictly follow the mark of the score.From the perspective of the layout of mode and harmony,Kabalevsky has made innovations and explorations in the 20th century on the basis of following the tradition,so the performers should have hierarchical changes in the interpretation of harmony.Kabalevsky put the main and concerto in a balanced playing position.In playing,the main and concerto blend and echo each other,showing a balanced and harmonious sound effect.Finally,the interpretation of the Huacai segment and the accompaniment texture is an important performance point.In this paper,Kabalevsky《Third Piano Concerto》as the research object,from the perspective of playing,using the method of literature research,comparative study and experience summary,on the basis of summarizing the music style of Kabalevsky "《Third Piano Concerto》,"in-depth study and interpretation of the performance of this work.To sort out and explore the musical style of "The Third Piano Concerto" is to further enrich the existing research results.At the same time,the analysis and research on the performance provides a reference for the performer to better interpret this work.