Research On The Shadow Play In Xieyao Village,Dingzhou,Hebei

The shadow puppet show in Xieyao Village is a traditional drama rooted and developed in Xieyao Village,Mingyuedian Town,Dingzhou City,Hebei Province.In 2017,it was rated as a provincial-level intangible cultural heritage of Hebei Province.This article takes the shadow puppetry in Xieyao Village as the research object,based on field practice,mainly from the living environment,development history,theatrical troupe,drama music,drama literature,stage art and performance,and protection strategies.The ancient movie,and make it rejuvenated.This article has six chapters,the first chapter is the introduction,and the second to sixth chapters are the main body of this article.The second chapter starts with the survival and development environment of the shadow puppetry in Xieyao Village,the twists and turns of the development process,the inheritance of artists and the existing theater troupes,and gives a preliminary introduction to the shadow puppetry in Xieyao Village.Chapters 3 to 5 are the researches on the music,repertoire,stage art and stage performance of shadow puppetry in Xieyao Village.In the book "Encyclopedia of China Drama",in its interpretation of the artistic form of drama,it is believed that drama combines a variety of artistic expression methods,and its direct and external expressions are literature,plastic arts,music,and dance.Among them,literature mainly refers to scripts,plastic art refers to lighting,scenery,props,makeup,etc.,music refers to singing,tunes,sound,soundtrack,etc.,dance refers to the dance component of theatrical performance,which can also be transformed into the performance and movement art of actors.Therefore,this article decomposes the artistic structure of shadow puppetry in Xieyao Village into drama music,drama literature,drama art,and drama performance for analysis in order to dig out ancient shadow dramas and reveal their basic features.The third chapter is music research.First,it judges its music structure,and then starts with the singing form,line singing,style and tone,traditional percussion accompaniment and newly-added melody instrument accompaniment,and its vocal music and accompaniment music.Conduct research and analyze the influence of Dingzhou Yangko,which is popular in Dingzhou and surrounding areas,on shadow puppet music.Chapter 4 is the study of the repertoire.First,it compares the old and new shadow play of Xieyao Village,analyzes the language of shadow words from the two aspects of shadow word structure and zheyun,and then analyzes the theme selection and main idea of traditional and new screenwriters.It introduces,analyzes and summarizes its repertoire creation with the characteristics of stylization and localization.The fifth chapter is the study of stage art and stage performance.The art aspect mainly studies the setting of the stage,the production and modeling of filmmakers,etc.,and explores its evolution with the process of modernization.In terms of performance,it is mainly to explore from the performance procedures,the manipulation of filmmakers,and the cooperation of artists.Chapter 6 is about some thoughts on the protection of shadow puppetry in Xieyao Village.First,through its historical,cultural and spiritual value,artistic aesthetics and moral enlightenment value,it has fully affirmed its high protection significance,and it is mastered and analyzed on the basis of the current development of the village shadow puppetry,a protection strategy that truly meets its own conditions is put forward.The most important thing is to expand its living space through multiple channels to ensure its lively inheritance.