The Magic Expression Of Chinese Realistic Films Since The New Period

Based on the realistic theme of Chinese film since the new era,this paper describes the new features of its film aesthetic expression,narrative mechanism and image expression,and then analyzes the social and cultural psychology carried by this new aesthetic appearance combined with the change of the real concept of the film,and probes into its existence rationality.In addition,because the existing "magic realism film "," surrealism film" and other foreign concept terms are not enough to accurately describe the unique features of Chinese realistic theme films since the new period,this paper puts forward the concept of "magic expression" to distinguish.Intention not only distinguishes "magic" from "reality ",but also distinguishes " magic" from " doctrine ".Because the realism spirit is the meaning of the Chinese excellent realistic theme film,and in the current academic research,the boundary of "realism" is infinitely extended,expanded,and the prefix is added more and more,so this paper takes "realistic theme film" as the research object to dominate all the film works involved.The main contents of this paper are:First,after defining and discriminating the concept of magic expression in realistic film,it combs the development of magic expression and divides it into hierarchical categories.It can be summed up as: fable writing and magic reality color,new documentary image and surreal image,psychological reality and magic expression.At the same time,on the time line,different hierarchical categories are intersected and overlapped.Secondly,the narrative mechanism of the magic expression of realistic film shows two characteristics,that is,the magic of narrative structure and the strangeness of narrative time and space.In the new face of magic expression,realistic film often no longer follows the traditional linear narrative,but presents the creative narrative structure as the magic expression,including: the combination of time and space narration,the circle narrative of time and space reappearance,and the magic narrative of time and space intersection.At the same time,the narrative space-time of magic expression often presents the characteristics of Alienation,including the subjective time presentation of individual impression,the space image of Alienation and the use of a large number of Alienation dialects.Thirdly,the image of the magic expression of realistic film is usually based on the realistic elements of physical reality,and in the image world of the complete reproduction of the film,the magic reality is displayed artistically with the logic of the feeling comes.Fourth,the magic expression of realistic theme movies is deeply rooted in the traditional Chinese ideology and culture,which coincides with the magic part of Chinese traditional ideology and culture,such as Chu culture,classical opera and monster,legend,human feelings novel and so on.Besides,the magic expression of realistic film is the deconstruction of Chinese traditional realism spirit and the contemporary hair after deconstruction.