Discuss The Contemporary Of China’s Film Art Creative Concept’s Evolution Mechanism

There were different creation ideas in a different background for domestic film arts.When film was introduced into China at the beginning, the film arts creation basicallyfollowed the stage set style affected by the concept of "Shadow Play". From1949to1978, affected by political factors, Chinese film arts creation developed graduallytoward the mode of "Typical Shape,"which was pushed to the extreme during the"Cultural Revolution".Since the1980s,China entered the period of transformation, andthe domestic film also ushered in the spring of creation. The creative concept of filmarts began to base on the film body after the strong Typical of stiff creation mode in the"Cultural Revolution".Thus there were two important transitions of contemporary film arts, The first onewas the transition of art concept from the stage body to the film body: onerepresentative was the Jia Zhangke’s film creation in the perspective of realisticaesthetics, and another phenomena was that many film artists became film directorswith unique styles after years accumulation in work. The second one was thequalitative transform from virtual arts to digital media virtual arts, which occurredamong the whole film world.Therefore, contemporary domestic film arts has accomplished the transitions increation practice from creations controlled by the theater mode of Typical ideology tothe application of documentary aesthetics and then to the imagery of space shape, andthe transitions in creation concept from stage arts to film arts, from departmentalcreation to overall screen shape and from realistic arts to virtual visual effects.This paper tries from the space created-from the stage art to the movie art, namelyfrom the stage drama art ontology (assumption, typical) towards the Film Ontology(truth) screen art; screen modeling-from fine art to the director, that is in the hands ofthe picture modeling ability of the artist (local modeling) transition as the director(screen design); and from the heart-entities from the fine arts to the virtual art,realistic image art (" long shot" language) to the virtual image art (" synthetic lens"language) and so on three aspects to discuss the evolution and the reason of the creativeconcept of contemporary film art.