A Study On The Mechanism Of Tragedy Under The Discourse Of Chinese And Tibetan Literary Theories

The study of Chinese classical drama began at the end of the 19 th century and the beginning of the 20 th century,it was mainly involving the origin,form and content of Chinese classical drama,and including all aspects of the elements of drama.In the study of Chinese classical tragedy,especially when the Western tragedy theory can not explain the Chinese tragedy.The construction of China’s own theory of tragedy from the Chinese traditional culture,literature and art soil,and bonding with the fact of the works has also become a theme of epochal topic of China.With the birth and development of the comparative literature,Chinese school proposed the cross-cultural,cross-national and cross-language studies,and to peopose another dimension for the construction of the tragedy theory.Based on the previous studies of Chinese classical drama,this paper sorts out the key points of the study of tragedy: they are tragedy consciousness,tragedy view and tragedy effect.These are the studies from the three directions of the author,the work and the receiver,and these three aspects just constitute a whole: the tragic theme of the tragic consciousness,through the transformation of the tragic view,the tragic works are formed,and the artistic effect,to achieve the function of pleasing oneself,happy people and weathering.In this paper,I am based on a large number of reading and practical investigation,and come up with the research topic of the tragedy of the operating mechanism.This mechanism is a whole process of tragic art from the tragic consciousness to the tragic effect through the transformation of the concept of tragedy.Those are: sorrow,harmony,happiness;misery,perfection,happiness.The consciousness of tragedy is the cognition of human sorrow,this cognition comes from the practice of relationship between human and nature,society and itself,during which tragedy has become the tragedy from superficial scene to deep logic,finally become a pattern of cognition.And then the consciousness of tragedy goes into art due to the need of transformation of tragic theory,so as to carry it forward.What is the function of the tragedy effect for acceptors and authors?The tragic theory was coined by the cognition of classical philosophy such as “happiness comes from harmony " and "Harmony is happiness".And the tragic theory was coined by the cognition of classical philosophy such as the endless recycling of "happiness to suffering to reincarnation to suffering to happiness",thus the tragedy effect was realized by the completion of every phase’s perfection of tragedy view or transformation.At the same time,we should think about comparative study between the works of the "Dou E Yuan" and "Langsa Wengbo" in the frame of the discourse of the literature theory of the Han and Tibetan to improve the study of the operational mechanism of tragedy.This was based on the phenomenon that the theory of literature can be seen intermittently in art,philosophy and history,and most of them were presented in the form of literary theory,such as Han’s On Poet,Poet Critic,preface and prelude,and so on,the same was with Tibetan biographies,scripts and history of thoughts.One the one hand,it makes the interpretation of the operational mechanism of tragedy more clear and pertinent.On the other hand,it can help to highlight the uniqueness of tragedy for each other.