A Study On Return Of Aesthetic Inherited By Guzheng From Perspective Of Spirit Of Traditional Chinese Art

Guzheng is one of important traditional musical instruments in China,with a long history and cultural heritage.Under flourishing development of Guzheng,the enthusiasm for learning the musical instrument has been on a rise within colleges and interest classes.The fundamental reason is that in modern society,with the development of science and technology,the progress of media,and the enrichment of social life,people’s judgments on aesthetic value of Guzheng have gradually changed.Compared to the ancients,modern people have different aesthetic judgments on Guzheng,which makes Guzheng to be a carrier of intangible cultural heritage.This paper studies on the aesthetic heritage and evolution of the Guzheng under the framework of spirit of traditional Chinese art.First,it talks about the status of cultural ecology of the intangible cultural heritage of Guzheng under the impact of three periods of traditional society,modern society and postmodern society.Then the construction of Chinese artistic spirit of Guzheng is discussed from the perspective of intangible cultural heritage,with “traditional repertoire”“ as artistic works,“nature” as imagery,“Qi” and “rhyme” as criteria,and “harmony” and “quietness” as artistic conceptions,to construct the spiritual essence and extension of Chinese artistic spirit inherited by the Guzheng from the perspective of intangible heritage.Last but not least,this paper explores on contemporary aesthetic appeal of spirit pf traditional Chinese art from two aspects which are aesthetic tension and aesthetic reflection of spirit of traditional Chinese art.