A Study On The Expression Of "Nationality" In Chinese Animation Films From The Perspective Of Modernity

With the development of modern digital media technology,Chinese animation films are innovating through exploration,and works called "box office miracles" continue to emerge.Throughout the development of Chinese animation films,outstanding creators have never given up on exploring "national" film expressions.In the context of contemporary culture,animated films bear the responsibility of cross-cultural communication with concrete imaginative expressions.How Chinese animated films construct national discourse to seek innovation and development has been the art frontier proposition of domestic animated films in recent years.This article uses literature reference research method,case comparative analysis method,case analysis method,three research methods to explore the expression of "nationality" in Chinese animated films.By combing the development history of Chinese animation films and understanding the background of the various stages of its development,it is found that Chinese animation film creators have been on the road of exploring "nationality",trying to construct expressions that can reflect the survival characteristics of the current people.Animated films have the ability to construct discourse,and the expression of "nationality" is of great significance for inheriting culture,realizing the identity of the audience,and establishing the image of the country.From this point of view,through exploring the changes in the expression of Chinese animated films from the founding of New China to the present,it is found that the expression of Chinese animated films has gone from class narrative to emotional narrative,from the construction of collective consciousness to the attention of individual life,and from the transmission of ideology to the spread of ideas and concepts.Turning,in the process of modernization,Chinese animation films continue to confirm their nationality and realize the "cultural self-confidence" of the new era.However,from the perspective of reality,the expression of "nationality" in Chinese animated films is long-standing,and "Modernity" is the mainstream trend of the current world cultural development.Under the inevitable cultural impact,we should not only join but also resist,both pull away from the local and re embed it,both embrace modernity and start the traditional re invention.Therefore,the expression of Chinese animated films is different from that of western "Modernity".The contradictory relationship between "nationality" and "Modernity" has brought confusion to the inheritance and development of traditional culture.After realizing the development dilemma,Chinese animation film creators should pay attention to the unity of form and connotation,and the importance of resonance between nationality and modernity.At the same time,we can see that the creators of the new era are also actively carrying out the integration and dissemination of traditional culture and contemporary culture,in order to achieve the sustainable development of Chinese animation film.