The Study On The Calligraphy Characteristics Of Bronze Inscriptions Of Qin Culture System

By analyzing objects from Shang Zhou Bronze Inscriptions and Image Integration,Shang Zhou Bronze Inscriptions and Image Integration Continuation,and Three Compilations of Shang Zhou Bronze Inscriptions and Image Integration written by Mr.Wu Zhenfeng,this paper collects and sorts out the relevant contents of the bronze inscriptions of the Qin Dynasty.And on this basis,it article first briefly reviews the academic history of the research on the Qin Dynasty inscriptions,including the research of Qin culture and writing system of Qin inscriptions,and also the re-interpretation of the classification of Qin inscriptions styles,and proposes a new thought of classification styles defined "New Twenty-Four Shupins" written by Jin Xuezhi;Secondly,a systematic study of the artistic characteristics of the Qin system inscriptions was carried out,in order to understand the evolution and style characteristics of the Qin system inscriptions in detail,and establish a systematic understanding of the Qin system inscriptions;Finally,through combing and investigating related issues,this article believes that Qin culture has an important influence on the development of the Qin family’s gold calligraphy.establishes the status of Qin inscriptions in the history of Chinese calligraphy.Qin inscriptions are the materialized form of Qin culture,on which not only carried the artistic spirit and aesthetic pursuit of the Qin people,but also gave the birth to Xiao zhuan and official script after development.This is an epoch-making artistic change in the history of Chinese culture.The main content of this article includes the following three aspects:The first part mainly summarizes the relevant background of the research on the inscriptions of the Qin system.Discuss the problem of Qin people’s "speaking to the east" and migration in the study of Qin culture,the problem of advocating the square architecture of the square spread in the plane,and the relationship between Qin culture and other cultures;In the research on the writing system of Qin Bronze inscriptions,the author based on the cultural inheritance,book contract tools and materials of the book contract group studied by Professor Hu Changchun in the article "New Thoughts on the Writing of Chinese Characters and the Evolution of Chinese Characters Based on Newly Published Materials",The framework of the research on the influence of writing methods on the norms and evolution of Chinese characters,to study the engraving methods,engraving groups,specific functions and mainstream thoughts of Qin inscriptions;Put forward new thoughts on the method of classification of bronze inscriptions,the author classifies the styles of the Qin Bronze Inscription calligraphy,adds "other categories" at the end of each period to cover the more ambiguous categories,and also gives us analysis of each style classification accordingly by referring to Jin Xuezhi’s "New Twenty-Four Shupins".The second part is the focus of this paper,which mainly discuss the periodization and style classification of the Qin Bronze Inscriptions.Based on the calligraphy characteristics of more than 400 pieces of Qin bronze inscriptions collected,the author divides into the Western Zhou Dynasty to the middle of the Spring and Autumn Period(Qin Mugong),the middle of the Spring and Autumn Period to the middle and late Warring States period(Zhaoxiang King),and the middle and late Warring States period to the Qin Dynasty.Before it perishes.And before the staging and style classification of each period,analyze the artistic spirit of the Qin people in that period and explore the connection between the two.The cultural and spiritual connotation of the Qin people is a dynamic concept of development and change,which inherited the Zhou people’s rituals,music and farming techniques;absorbed Rong Di’s spirit of advocating martial arts,and the rational and pragmatic utilitarian ideas of legalists;and then began in the middle and late Warring States period.A large number of advanced cultures and talents from the princes of the East have been absorbed,and they are all-inclusive.In the style classification,refer to Jin Xuezhi’s "New Twenty-Four Shupins" to classify the styles of the Qin system gold calligraphy,which are divided into the strong and round type,the graceful and simple and quiet type,and other types;the rushing and the elegant type,and the obliquely inclined type.Class,sloppy vertical and horizontal classes,other classes;wild naive class,simple and honest class,majestic founder class,hard and strong class,other classes.The third part discusses the enlightenment of the practice of Qin Bronze Inscription.Through analyzing the use of pens,knots,composition,etc.,the paper explain the impact and inspire on the later generations.