Research On The Creation Of Contemporary Ink Figure Painting And Its Practice

Throughout the ages,character paintings have been one of the main artistic expressions and recording methods of civilizations in the world.However,only the famous Chinese tribes supported by the two rivers have magically integrated the creative elements of ink and wash into the artistic language of character painting,and took root as an independent art,which has been carried forward for thousands of years and continues to this day as an oriental civilization.Eye-catching cultural symbols are spread all over the world.Since it is an independent art,there must be an independent cultural background behind it.Ancient Chinese academic thought was deeply influenced by Buddhism and Taoism,but it is well known that only Taoism is truly the “national product ” of Chinese civilization.In other words,the foundation of Chinese civilization is Lao Zhuang’s philosophy.In the Tao Te Ching,it is said: "There is a multiplication of existence and reality,and reality and emptiness reproduce." In Lao Tzu’s view,invisible things are more important than visible things.The "form" and "god" in the ink and wash figure painting are just like the "real" and "imaginary" in the traditional theory.The two are dialectically unified and complementary to each other.The study of Yi is also an important part of Taoist culture.It uses the principle of Tai Chi to expound the wisdom of its cosmology in "The Book of Changes · Cohesives"."Therefore Yi has Tai Chi,and there are two forms of life." Two of them are Tai Chi.Yin and Yang,"One Yin and One Yang is the Tao" is the best expression of the law of all things in the world.Ink and wash figure paintings inherit the principles of yin and yang,and bring out the characteristics of “water” and “ink” to the fullest.The “water” is clear and vivid,and the “ink” is dark and heavy.The two blends and changes on the rice paper are right.A visual interpretation of the truth of virtuality and reality.This article is about contemporary ink-and-wash figure paintings,from the perspective of a virtual and real view,sorting out the inter-communication features and essence.Through the writing of this thesis,the external modeling language and internal spiritual structure of ink and wash figure painting are summarized as a practical development branch that can be used to expand the academic volume of ink and wash figure painting discipline.Normalize and systematize the original ideas and inspirations during practical research to form a clear and rule-based context,so that you can get reference and enlightenment in later learning and creation.At the same time,on the basis of the predecessors,the depth and breadth of the traditional virtual and real theory is further extended,and it is developed into the field of ink and wash figure painting,expands its practical function,and affirms its guiding and academic value.In Chapter 3In this paper,the characteristics of the historical development of ink and wash figure painting are refined,and the representative works of art are analyzed.Combining my own practical research,in Chapter 4 of the paper,I summarize and summarize the author’s own practice and exploration of virtual and real situations in the process of sketching creation.At the same time,I point out the methodological suggestions for the creation of ink and wash figure painting,and make the metaphysical concept clear.Guiding steps that can be performed.