Research On The Site-specific Involvement Of Social Participatory Art In Urban Communities

As early as the early 20 th century,when contemporary art was booming,"participatory art" began to emerge slowly.Now,as a way of contemporary art,social participatory art revolves around the occurrence of social problems and then intervenes in the society to carry out artistic practice,emphasizing "participation".Art can be said to grow out of society,is a part of society.From art by pulling down the altar,to museums,art galleries around the world began to grand art exhibition,to jump out of the "white box",today art in the public space of public life,under the big wave of art in public space,the domestic artists,curators,people in the countryside,urban public space for artistic creation,such as "in" is put forward,emphasis on "participation".The intervention of art creates a place for popularizing art in urban public space,and the public gather in such public space to enjoy the visual feast brought by art,produce emotional resonance,and meet the spiritual aesthetic needs of the public in modern society.Social participatory art in urban communities,artists,curators,art how to work with the community intervention by space better into contact,gradually to "in" the concept of breathlessly,"in" as involved in urban community art activities and measure how good the finished product.When artists enter the community,how to analyze the community site space,excavate the memory and culture of the community,and carry out the on-site creation of art intervention?The article studies the main content is divided into the following three parts: the first section,first to explore the connotation of "the sex",combining with literature in the "on" development of combing and different scholars of the concept "in the" delving into the connotation,analyzed under the background of the globalization era puts forward new requirements to "on";This paper analyzes the different types of "art intervention" in the local creation cases and summarizes the similarities and differences,in order to support the theoretical research of "the connotation of the local";The second part mainly analyzes the implementation process and the purpose of the local creation involved in the urban community.To analyze the different types of cases of local creation,explore the problems encountered in the process of creation;The key factors of location-based creation are summarized,including "site","subject of participation" and "work expression".The third part is the theoretical summary and creative reflection of "locality" based on the contents of the first two parts,as well as the reflection on the characteristics of locality,the artistic practice of social participatory art centering on social problems,whether the artistry is weakened when it involves in urban communities,and how to maintain its effectiveness and sustainability.Through the exploration of the connotation of "in-situ",the author hopes to summarize the experience and theory of "in-situ creation",and explore the relationship between artistic creation and public space,so as to provide practical experience and theoretical guidance for art to intervene in urban communities and society in the future,and provide reference methods for the use of space under the intervention of art.Under the social background of the new era,it makes a modest contribution to thinking about how to better complete the soft landscape design of urban community space.