Tactile Trace-Gu Liming’s Painting Study Master Of Arts

Due to the spread of humanism,western painting theory and various styles have been used for reference by artists.Some artists have blindly studied western modern art and have been blinded by the new western painting theories and techniques,so that they have lost the authenticity of painting and become superficial.However,when Chinese contemporary art is in crisis,there is bound to be another group of people to break this awkward situation.As a new generation of young painters,Gu Liming,while advocating western modern art,combines the common points between western modern art and Chinese traditional art with critical vision.This led to the "second cultural consciousness" thinking.In-depth analysis of Gu Limingyi,you can not only analyze the subject matter of creation,as Li GE holds that exploring the change of art must be based on the exploration of the way of perception.This paper mainly studies the tactile expression in Gu Liming’s painting and how to use the individual’s perception of the objective world to produce its unique painting form language.In September 2015,Gu Liming published an article,Traces of Touch,which refers to the consistency of his works in various periods: the trace of touch.The concept of touch belongs to the category of perceptual psychology.From Plato to Aristotle in the description of sensory perception,tactile is the lowest sensory function,and vision and hearing are advanced sensory functions.This hierarchical definition of sensory function has been opposed by empiricist artists.After Kant,Alois Riegl introduced the concept of "touch" into the study of art history.The categories of "artistic will "," tactile" and "visual" are put forward.Tactile perception comes from the groping of the hand,through which the purpose of predicting or evaluating all kinds of objects or phenomena in the world is achieved,and there are "traces" in the presentation of the result of perception.In the evolution of painting,the history of painting can also be said to be the history of trace creation.Artists create a series of objects through the movement of their hands that can reflect their cognitive way of the world.Most of them resort to the visual level.Gu Liming pays more attention to the perceptual feelings brought to him by touch.This paper will start with the tactile nature of Gu Liming’s painting,through the analysis of Gu Liming’s picture expression,explore how Gu Liming’s painting can raise individual art to a cultural height from the angle of tactile feeling.From its disassembly and reorganization of traditional cultural symbols to find the inspiration to contemporary painting.The main text is divided into three chapters.The first chapter is a basic overview of the concepts and characteristics of tactile and trace in painting.The second chapter is the key chapter of the research,analyzes the evolution history of Gu Liming’s creative subject matter and style,explores the transformation process of his perception of the world,and discusses the characteristics of tactile expression in his painting.And the tactile expression that causes the viewer’s perceptual feeling.The third chapter is the author’s in-depth study of the tactile representation in Gu Liming’s painting art,and discusses the value of Gu Liming’s painting art,feelings to build their own formal language to give the author inspiration.