The purpose of this paper is to study the sound effect and artistic treatment of piano accompaniment in this kind of work from the perspective of piano accompaniers,so that the piano accompaniers can better grasp the integration of piano and sound in the process of playing ancient poetry and lyrics,and take on the important responsibilities of shading music atmosphere and filling in the mood with blank space.This paper takes Gao Weijie as an example,and begins to understand the style characteristics of Yuanqu from the historical background of Yuanqu.Then,the paper analyzes the artistic characteristics of the accompaniment part of the ancient poetry of Yuan Dynasty from the aspects of rhythm fabric and melody harmony.Finally,from the perspective of piano accompaniers,the paper combines vocal art with poetry rhythm,expounds the accompaniment interpretation of such works and the problems of cooperation with the singers. |