Research On The Spirit Of Chinese Art In The Practice Of Contemporary Chinese Art

There is a close relationship between Chinese art spirit and art.The root of Chinese art spirit is mainly rooted in China’s core ideological sources,philosophy and aesthetics,and other cultural traditions,which are presented to people through artistic practice.The spirit of Chinese art is not only an important concept of Chinese art theory,but also the foundation of practical activities such as art creation and art appreciation."With the continuous improvement of people’s living standards,people have higher requirements for the quality,taste,style,etc.of cultural products,including literary works."(Xi Jinping: "At the opening of the Tenth Congress of the Chinese Federation of Literary and Art Circles and the Ninth Congress of the Chinese Writers "Speech in Ceremony")Since the reform and opening up,the economy has developed rapidly,people’s cultural and artistic needs have increased,and art has developed rapidly in the contemporary era.However,in this process,it is inevitable that there will be uneven works of art.Art is in understanding and education.The functions of aesthetics,cultural inheritance and innovation have not been fully utilized,and contemporary Chinese art practice has the problem of lack of spirit.In the context of the world’s multiculturalism and rapid technological changes,it is particularly important to discuss the contemporary value and significance of the Chinese artistic spirit and how to present it in artistic practice.The presentation of Chinese art spirit in contemporary Chinese art practice will been taken as the research object in this study,The core idea is to show the style and way of presentation of Chinese art spirit in art practice.Focus on the connotation enhancement and innovation-driven characteristics of Chinese art spirit in contemporary Chinese art practice,establish the metaphysical and conceptual value and significance of Chinese art spirit in contemporary art practice,and attach importance to the philosophical infusion of contemporary Chinese art practice.Grasp the two-way interactive relationship between Chinese art spirit and art practice.Through an overview of the research on ancient Chinese art spirit and modern art spirit,we can understand the historical context of the research on Chinese art spirit,and clarify the characteristics of the times and the generation of Chinese art spirit.The mainstream of the current Chinese art spirit research is the traditional art spirit,and the tributary is the modern and contemporary art spirit.The Chinese art spirit in this research is also mainly based on the traditional art spirit,showing the multi-dimensional and ultimate nature of the Chinese art spirit.Two main features.Under the premise of human spiritual practice activities,it explains the basic connotation of the Chinese art spirit,explains the ultimate characteristics of the Chinese art spirit of the unity of nature and man,and the unity of Taoism and art,and summarizes the beauty and goodness of the Chinese art spirit,gentleness and gentleness.Poetic,full of form and spirit,blending of scenes,imaginary and real,and technological advancement are the characteristics of Tao.It is clear that the contemporary Chinese art practice we study refers to the concept of time period(contemporary)and space(China),and does not involve value judgment.That is,contemporary Chinese art practice mainly refers to the art that has occurred in China since 1978.Practical activities are different from "Chinese contemporary art",while combing the development trend of Chinese art in contemporary complexity.Secondly,the red line of Chinese art spirit runs through various art categories,and the style of Chinese art spirit is shown in the representative art cases of each category.It has risen from individual to general,which is a reflection of the diversity of Chinese art spirit in contemporary Chinese art practice.He has an overall and practical understanding of sexual characteristics and presentation methods,and summarizes the commonalities of Chinese art spirit in contemporary Chinese art practice.On the basis of the previous research,in view of the lack of aesthetic connotation and excessive emphasis on form in contemporary Chinese art practice,it shows that the contemporary value of the Chinese art spirit is presented in the development of art practice,and at the same time the Chinese art embodied in art practice.The spirit of art has also been bred continuously in the long river of history.As time goes by,its research has become more in-depth,perfect and thorough.Finally,through the integration of heaven,man,art,and Tao in the spirit of Chinese art,it discusses the construction of an artistic innovation ecology,which mainly promotes the sound development of Chinese art by mobilizing various forces.