A Study On Concept Of Prose And Theory Of Prose Style By Zhu Guangqian

As one of the essayists of Beijing school,Zhu Guangqian’s prose view and prose creation all reveal his personal charm and characteristics of The Times.Therefore,this paper starts from discussing the context of zhu guangqian’s view of prose and his theory of prose style,investigates his view of prose and his theory of prose creation,and analyzes his understanding of prose style from three aspects of genre,style and style.As a prose theorist,Zhu Guangqian always insists on the combination of theory and practice.He advocated that prose style should be inclusive,but also emphasized the literariness and artistry of prose,and attached importance to the aesthetic value of prose.The author holds that the prose language should be accurate and vivid,the sound and rhythm should be straightforward and smooth,which has certain stylistic and literary history value and shows the consistency between theory and creation.This paper consists of three parts: introduction,main body and conclusion.The main body is divided into four chapters.The first chapter focuses on the background and reasons of zhu guangqian’s prose view and prose style theory.The first is the influence of traditional Chinese literature and ancient Chinese writing training since childhood,the second is the cultivation of his academic thinking by studying abroad,and the third is the influence of his social activities,such as making friends,teaching and founding publications,in order to clarify the historical background and ideological background of zhu Guangqian’s prose view.The second chapter focuses on zhu guangqian’s understanding of the essence of prose and his theory of prose creation.When studying the essence of prose,Zhu guangqian always sticks to the basic stand of "unity of content and form",and draws the conclusion that "prose is pure literature without rhythm" through the comparative study of poetry and prose.His theory of prose creation reflects the transformation from "writing to carrying tao" to "self-expression",which is also consistent with the modernization transformation process of Chinese prose.First,it inherits the "yi Fa" theory of Tongcheng School,emphasizing the rigor of grammar and structure;second,it adopts the narrative mode of talking and gossiping narration;third,it advocates the subjectivity of the writer’s personality and emphasizes the standard of "rhetoric establishes his honesty".The third chapter analyzes Zhu Guangqian’s prose style theory.This paper first defines the concept of prose style,then analyzes Zhu Guangqian’s understanding of prose as a style from three dimensions of style,style and style,and analyzes the consistency between his theory and creation.He advocated that the prose language should be accurate and vivid,the rhythm should be straightforward and smooth,and the style of leisurely and homely style should be respected,and the pure interest of both refined and popular tastes should be pursued.His scholar’s prose reveals his philosophical poetic wisdom as an aesthetician and essayist.This paper holds that the Beijing school of prose represented by Zhu Guangqian belongs to the camp of spiritual prose.The second is to emphasize the sincerity of emotion and expression;The third is to adopt a relaxed and comfortable style and advocate homely and friendly language;The fourth is to pursue the beauty of gentle and gentle tone.The fourth chapter comments on the value of Zhu Guangqian’s prose view and prose style theory.This paper puts it in the context of the modern transformation of Chinese prose in the 20th century,takes the development of prose in modern China as a clue,recognizes the value of its theory from ancient and modern,Chinese and western perspectives,and evaluates zhu Guangqian’s contribution to the construction of the theoretical system of modern prose.