Viewing The Creation Of Contemporary Ink Landscape Painting From The Same Origin Of Calligraphy And Painting

The relationship between Chinese traditional calligraphy and painting has gone through thousands of years from the original "synonym",which complement each other.The concept of "the same origin of calligraphy and painting" has become the best footnote to the relationship between Chinese traditional calligraphy and painting.As the most representative of Chinese traditional painting system,the relationship between Chinese landscape painting and Chinese calligraphy is more prominent.However,due to the great changes the creation of contemporary Chinese landscape painting,no matter in terms of ideas or techniques,has been influenced by western painting,showing a tendency to be separated from traditional Chinese calligraphy.Under the background of advocating cultural self-confidence,from the perspective of "homology of calligraphy and painting"this paper rearranges the relationship between calligraphy and painting,and integrates the cultural connotation into the creation of contemporary Chinese landscape painting to explore the path of innovative development in inheritance,which is an important topic in the study of contemporary ink landscape painting.This paper is divided into four parts,the first part is the introduction,which introduces the source,research purpose and methods of this topic;the second part discusses the formation and connotation of the thought of "homology of calligraphy and painting" and its important value in traditional ink landscape painting;the third part analyzes the characteristics and creation path of contemporary Chinese landscape painting creation,discusses the problems existing in contemporary Chinese landscape painting creation,from the separation of the thought of "homology of calligraphy and painting" in Chinese landscape painting,the infiltration of western painting concepts into contemporary Chinese painting and the Cultural loss of Contemporary Chinese Landscape painting stimulated by "Exhibition Hall Culture",sums up the reasons for the problems in the creation of contemporary Chinese landscape painting from three aspects.The fourth part,based on the cultural connotation of Chinese traditional calligraphy and painting,explores the path of innovative development in inheritance,and how to reshape the ecology of contemporary Chinese landscape painting with the idea of "homology of calligraphy and painting" and its practical significance and possibility.Under the background of multicultural society,this paper looks back at the creation of contemporary Chinese landscape painting and comes up with the path of innovative development in the process of inheritance from the perspective of"homology of calligraphy and painting" to provide a way to study the creation of contemporary Chinese landscape painting.