A Study Of Ci Poems On Objects In The Southern Song Dynasty

The Song Dynasty’s Ci Poems on Objects reached its peak in the Southern Song Dynasty.According to incomplete statistics,the total number of Ci Poems on Objects in the Southern Song Dynasty reached more than 2400,accounting for about 80% of the Ci Poems on Objects in the Song Dynasty,and the Ci Poems on Objects in the Southern Song Dynasty pushed forward the development of Ci Poems on Objects in terms of the expansion of connotation and the deepening of Ci Art.At present,the academic circles have made some achievements in the research of Ci Poems on Objects in the Southern Song Dynasty,especially the individual research of writers’ Ci Poems on Objects,which has wide coverage and strong representativeness.The most important thing is that these studies can accurately grasp the distinctive creative personality of Ci Poems on Objects in the Southern Song Dynasty.However,there is still much room to promote the overall research of Ci Poems on Objects in the Southern Song Dynasty.This paper aims to focus on the in-depth vertical research of Ci Poems on Objects in the Southern Song Dynasty.The article is divided into four chapters.The first chapter is the research on the development of Ci Poems on Objects the Southern Song Dynasty.The background of the development of Ci Poems on Objects in the Southern Song Dynasty is mainly reflected in three aspects: the era background of War provides the material of time changes and real life for the creation of Ci Poems on Objects,and the loss of life experience and suffering on the way to Nandu inject new content into the creation of Ci Poems on Objects.The political background of war and alternation provided a creative environment for the development of Ci Poems on Objects.The Southern Song Dynasty regime bent its knees to seek peace from the outside and suppressed internal chaos.The implicit and obscure characteristics of Ci Poems on Objects provide a safe way for poets to express their worries about their family and country and their grief and anger that they have no way to serve the country.The cultural background of the evolution of ci history provided literary accumulation for the creation of Ci Poems on Objects.The Ci Poems on Objects Iin the middle and late Northern Song Dynasty had a significant impact on the creation and development of Ci Poems on Objects in the Southern Song Dynasty.Then,according to the statistics of All Song Ci compiled by Mr.Tang Guizhang,there are 2446 Ci Poems on Objects in the Southern Song Dynasty,which can be divided into three stages: the early stage of the Southern Song Dynasty,the middle and late stage of the Southern Song Dynasty and the end of the Southern Song Dynasty.The second chapter is the study of Ci Poems on Objects in the early Southern Song Dynasty.The creation of Ci Poems on Objects in this period is mainly reflected in the creation of Ci Poems on Objects by poets with lofty ideals,the creation of Ci Poems on Objects by reclusive poets and court poets,and the creation of Ci Poems on Objects by Female poet.Among them,the Ci Poems of people with lofty ideals who are angry and save the world represent the mainstream direction of the development of Ci poems about things in the early Southern Song Dynasty,have distinctive characteristics of the times,and reflect the transition of Ci poems about things in the middle and late Northern Song Dynasty to Ci Poems about things in the Southern Song Dynasty.Female poets’ Ci Poems on Objects has a unique aesthetic connotation of women,which is an important part of the development of the Ci Poems on Objects in the early Southern Song Dynasty.Among them,Li Qingzhao’s Ci Poems on Objects before and after the two periods can be used as a microcosm of social reality.The creation of Ci Poems on Objects by recluse poets and court poets is not affected by social reality and changes of the times.They are limited to their own life circle,or hurt spring and autumn,or sing praises and virtues.The third chapter discusses the general situation of the development of The Ci Poems on Objects in the middle and late Southern Song Dynasty.The creation of Ci Poems on Objects by Xin school poets and elegant School Poets makes the development of Ci Poems on Objects present two styles,that is,bold and unrestrained and graceful.Xin school’s Ci poems on objects have greatly expanded the emotional connotation of Ci poems on objects.They have improved the style of Ci poems on objects on the basis of Ci poems by people with lofty ideals,broadened the realm of Ci poems,expressed their ambition of recovering lost land and reorganizing mountains and rivers,their grief and indignation that there is no way to serve the country and their ambition is difficult to pay,and the historical rise and fall of mourning the past and hurting the present,reflecting the manly style called back by the times.The poets of the elegant school have reached the acme in the artistry of Ci Poems on Objects.Most of them are strangers in the Jianghu.They write the scars of love,life experience and the times in their words,in which the expression of Acacia and cherishing people represents their highest achievement in Ci Poems on Objects to a certain extent.The fourth chapter discusses the evolution of "object and emotion" in Southern Song Dynasty.From the early Southern Song Dynasty to the late Southern Song Dynasty,the subject of Ci Poems on Objects experienced the evolution from "object" to "emotion" and then to "object",showing the evolution trend of "mountain" shape;In the middle and late Southern Song Dynasty,the lyricism of Ci Poems on Objects reached the strongest,that is,the top of the word "mountain".