Analysis On The Performance Techniques Of Piano Composition "The Second Spring Bathed In Moonlight"

"The Second Spring Bathed in Moonlight" is a gem of Chinese folk music art.It was originally composed by folk artist Abing as an erhu solo,and was later arranged for piano solo by Chinese composer Chu Wanghua.While analyzing the text of the piano solo "The Second Spring Bathed in Moonlight",this paper makes a comparison between the original erhu piece "The Second Spring Bathed in Moonlight" and the piano arrangement,and will focus on the perspective of the piano solo "The Second Spring Bathed in Moonlight" playing skills analysis.This paper analyzes the playing techniques of the piano solo "The Second Spring Bathed in Moonlight" by means of periodical literature,playing video,interludes of music scores,etc.,for example,the decorative tone that imitates the timbre of erhu,the different ways of touching the keys of timbre,the use of the combination of pedal and timbre,and the breathing treatment of musical phrases,etc.,thus annotates the piano solo "The Second Spring Bathed in Moonlight" the traditional national art value and the music infection.Through the second creation in the process of playing,and after fully understanding the historical background,the author has a personal understanding of the emotion of the work,and analyzes the playing techniques of the work "The Second Spring Bathed in Moonlight",the purpose is to provide valuable reference for related research.