| Zhuangyuan opera is a product derived from the imperial examination system in ancient China.It originated in the Song Dynasty and made great progress in the yuan,Ming and Qing Dynasties.The Sixty Kinds of Opera compiled by Mao Jin in the late Ming Dynasty is a collection of opera with the largest number of Complete Opera in the yuan and Ming Dynasties,of which the number one opera is the most abundant,which plays an important supporting role in the study of the number one opera in the yuan and Ming Dynasties.Influenced by the different social environment and the living conditions of the creators in the yuan and Ming Dynasties,Zhuangyuan opera presents a unique ideological connotation.Combined with the influence of the background of the times on artistic creation,it is helpful for us to further grasp the creative characteristics of Zhuangyuan opera.This paper takes the number one drama in The Sixty Kinds of Opera as the research object.Firstly,by tracing the theme source of the number one drama,this paper analyzes the themes derived from historical facts and fictional stories,focusing on the ways used by dramatists to reconstruct the number one image,fictional story plot,strengthen the main line of love and refined detail description when adapting the theme of the number one drama,Then it explores the deep reasons behind the theme adaptation of the No.1 drama in The Sixty Kinds of Opera.Then,taking the creation time as the standard,this paper divides the 18 number one plays in the sixty kinds of songs into the number one plays in the Yuan Dynasty and the number one plays in the Ming Dynasty.Combined with different historical backgrounds,this paper discusses the theme of the number one plays in the yuan and Ming dynasties respectively.Finally,this paper analyzes the narrative patterns of the No.1 drama in the sixty kinds of songs,such as the double line structure of birth and death,the happy ending and the persuasion plot,and reveals its creative law.Through the study of the number one drama in the sixty kinds of songs,this paper can explore its theme source and adaptation methods,explore the deep reasons,grasp its ideological connotation in different times,clarify the narrative characteristics,and face up to the important significance of the theme of the number one drama in the development history of Chinese opera. |
