The Decline Heralded By The Prosperity Of Chinese Comics In The 1980s ——From The Perspective Of The Relationship Between Graphic And Text

In the 1980 s,the creation of Chinese comic strips showed a two-way boom in quality and quantity,and then gradually declined.This paper focuses on this phenomenon,combined with a series of excellent comic works,analyzes the creative characteristics of comic strips in the 1980 s,and compares and discusses the profound relationship between graphic and text in comic strips in the 1980 s and previous different stages from the perspective of the relationship between comics and texts.change,so as to explore the deep social and cultural changes behind this change.Apart from the introduction,the thesis is divided into three chapters.First,review the development of comic strips before the 1980 s,and focus on the development of comic strips and outstanding works in each period.The first chapter first discusses the prosperity of comic strips in the 1980 s,and then analyzes the specific reasons for the prosperity of comic strips in the 1980 s from the perspectives of cultural background,market environment,and creative subjects.The second chapter is the focus of the article.First,it compares and analyzes the transformation of the relationship between language and graph in the history of the development of comic strips.Comic strips have evolved from the language-graphic expression form of "because of texts to create pictures,and pictures to explain texts" in the history of the development of comic strips to the modern era before the 1980 s.The comic strip has been transformed into a language-picture narration method of "drawing pictures according to the text and synchronizing the pictures and texts".Then analyze the expression of "picture" from the personalized language in the comic works in the1980 s and the composition form from the perspective of multimedia.It is found that the decorative elements and planarization of the comic strips increased in the 1980 s,and the artistry was constantly strengthened,focusing on the integrity of the picture.Independence,emphasizing the artistic charm of images,the image symbols of comic strips in the 1980 s were more narrative expressive,occupying a dominant position.It is concluded that the comic strips in the 1980 s showed an intertextual relationship of "borrowing texts to create pictures,and pictures overflowing texts".The third chapter,this part is dominated by the changes in the relationship between the words and pictures of comic strips in the 1980 s,and explores the depth of the decline of comic strips in the 1980 s after the prosperity from three aspects: the creator’s background,the public’s aesthetics,and the orientation of awards.reason.The ups and downs of the relationship between language and graph indicate a crisis of comic strips from the inside.The expression that emphasizes pictures and neglects text brings readers different reading experiences and aesthetic feelings,which is the internal motivation and fundamental reason for the gradual decline of comic strips in the 1980 s.Finally,review the full text,reflect and look forward to the development of comic strips based on the transformation of the relationship between pictures and texts.