Analysis And Practice Of Landscape Painting Creation Techniques Based On Guilin Regional Aesthetic Characteristics

As a famous landscape and cultural city in China,Guilin has a history of thousands of years."Guilin landscape is the best in the world" gives the city rich natural resources and cultural deposits.On the one hand,due to the erosion and accumulation of soluble rocks by surface water and groundwater,typical karst landforms are formed,with towering peaks and continuous groups of natural wonders,providing rich materials for the creation of landscape paintings.On the other hand,with the development of politics,economy and culture,during the Period of the Republic of China,Guilin,as a ‘cultural city of Anti-Japanese War’,attracted a large number of literary and artistic workers,including the creation of literature,art,opera and so on,which was very rich.Among them,guilin landscape painting as the expression of the object,also achieved considerable development,and has been attached importance to.Guilin landscape,because of its unique landform features,gives the painter unique material for expression,has produced many new landscape painting language.This paper analyzes the influence of guilin’s regional characteristics on landscape painting techniques,and the creation and performance of landscape painting techniques.Combining with the author’s own creation experience,it is divided into four parts: First,it expounds three aspects of Guilin’s landscape characteristics: subtropical monsoon climate,karst landform,river resources;The second part analyzes the aesthetic characteristics of Guilin landscape,the unique shape of mountains,rocks and trees,the cultural realm of the city and villages,the integration of natural resources and cultural resources,and explains how to reflect these characteristics in the creation of landscape painting;The third part,through the works of huang Binhong,Li Keran,Bai Xueshi and other three representative painters,from the three characteristics of ‘wild’,‘thick’ and ‘clear’ to analyze the expression style of Guilin landscape;The fourth part introduces the situation of the author’s graduation creation,including the preparation of creation by drawing from life,copying and other methods,absorbing the nutrition of famous brush and ink techniques,and the process of the final completion of ‘The Season of Laurel Rain’.This graduate study,through to the guilin landscape characteristics and landscape painting creation,the relationship between local resources for deep mining and analysis,in order to better object from objective to subjective breakthrough representation of knowledge,the pursuit of a more profound connotation of landscape painting,deeply understand the art of landscape painting creation language,enrich the depicting the depicting the guilin landscape art.