| It is not rare to see literature changed by certain cultural concepts and fashions in the history of literature,and the literature of Wei,Jin and Southern and Northern Dynasties is one of them.Originally,the written carrier of "natural history" should be purely intellectual style,such as academic works,but in the Wei,Jin,Southern and Northern Dynasties,this task was also shared by literature,so that the literary creation of this period presented a different style.Based on the concept of "natural history" in the Wei,Jin and Southern and Northern Dynasties,this paper sorts out and summarizes its characteristics in literature,which can be divided into six parts:The introduction mainly includes the research status and significance of this paper.The present research includes four aspects: the definition and development of the concept of "natural history",the relationship between the concept of "natural history" and fu of Wei,Jin and Southern and Northern Dynasties,the relationship between the concept of "natural history" and the novels of Wei,Jin and southern and Northern Dynasties,the relationship between the concept of "natural history" and the poetry of Wei,Jin and southern and Northern Dynasties.The first part mainly discusses the rise of the concept of "natural history" in Wei,Jin and Southern and Northern Dynasties.First,explore the origin of "natural history";Secondly,it analyzes the causes and concrete manifestations of the rise of the concept of "natural history" in Wei,Jin and Southern and Northern Dynasties.In the end,this paper summarizes the understanding of the concept of "natural history" in the literary theories of Wei,Jin and Southern and Northern Dynasties.The second part mainly discusses the Wei,Jin,southern and Northern Dynasties duyi fu "natural history" performance.By comparing duyi fu in Wei,Jin and Southern and Northern Dynasties with duyi fu in Han Dynasty,it is concluded that duyi fu in this period underwent the following changes under the influence of the concept of "natural history" : the "matter" in fu changed from virtual to real;The narration tends to turn from palace to nature;The focus of the description of natural history shifts from politics to life.The third part mainly discusses the "natural history" performance of geographical natural history novels in Wei,Jin and Southern and Northern Dynasties.The first section is that the novelist adopts the "editing" creation method,the purpose is to make the content of the work more "extensive";The second section is the fantastic cognition of time and space and the fictional color of the images."Natural history" is not limited to the existing knowledge system,but also explores many unknown areas.Therefore,the setting of time and space in the novel often violates the objective laws,and the forms and attributes of the images are beyond ordinary people’s cognition.Section three Features of the encyclopedia of geographical natural history novels,the content of this kind of novel is extremely rich,including multi-field,multi-disciplinary knowledge.The fourth part mainly discusses the "natural history" performance of traveling fairy poems in Wei,Jin and Southern and Northern Dynasties.In the first section,there are a lot of references in the poem.The references become the conscious pursuit of literati,and this pursuit is only for the purpose of showing off knowledge.The second section is the construction of the natural scene of the poem in the mountain forest.In this period,the creation of fairy traveling poems shifts the location of the scene from the supernatural heaven to the mountain forest in the nature.The fifth part summarizes the value and significance of the concept of "natural history" in Wei,Jin and Southern and Northern Dynasties.First,in terms of literature,the rich knowledge contained in the literary works of this period has important reference value for commentators and multi-disciplinary researchers.Secondly,in literature,the changes of fu and fu novels under the influence of "natural history" have given beneficial enlightenment to contemporary and subsequent literary creation in terms of subject matter and writing techniques. |