A Study On The Calligraphy Of The Fang Family Tablets In Shandong During The Sui And Tang Dynasties

The Fang family has a long history in Qinghe,Shandong province.In addition to the records of the official historical documents,the newly unearthed epitaphs and inscriptions also provide us with credible information.In 1997,Fang Yanxu’s tomb was excavated in the second brick factory in the eastern suburbs of Jinan,and the Epitaph of Fang Yanxu and Epitaph of Fang Yiwu were unearthed."Fang Yanqian Monument" in Jinan,Shandong Province in the northeast of caishi town of Zhao Mountain before the Tomb of Fang Yanqian,Fang Xuanling was buried with zhaoling Mausoleum,the tombstone in Shaanxi Li Quan.From the inscription,we can know the origin and political achievements of the Tang Dynasty’s Dongfang family.Through the analysis of the calligraphy style of the Fang family’s inscription,we can make a preliminary survey of the common characteristics of the calligraphy style in the late Sui and early Tang dynasties.Then it analyzes the calligraphy of fang family tablet inscription and studies the calligraphy characteristics of Fang family tablet inscription according to the calligraphy style of fang family tablet inscription.The second part talks about the commonness of the tantfang family’s epitaphs and the human factor that forms the difference of style.Last is to family the epitaph of stone steles,a large number of copy after copy creation experience,mainly from the b of the monuments,fang xuanling brushwork,after official script（the room he Xu epitaph "room lay my epitaph room eqian tablet）words,at the end of the article describes his book art characteristics of reference room family applied forms,in the face and in the process of combing the author’s comprehension,And summed up his own copying process gradually deepen the understanding of the diversity of inscription calligraphy,as well as his sui and Tang dynasties in the creation of folk inscription without script,script with script this characteristic of performance.