| Since the birth of vernacular new poetry,the new poetry style takes the western poetic tradition as the basic reference to promote the transformation from classical tradition to modern new poetry.However,the problems in the development of centennial new poetry also make people have to reflect on the contemporary value of Chinese classical poetry tradition,foreign modern poetry tradition and centennial new poetry tradition in the creation of new poetry,and re-examine the relationship between “classical” and “modern” in the development of new poetry.How “ classical tradition ” realizes “ modern transformation ” has always been a controversial topic.Yang Mu,a Taiwanese poet,has a distinctive feature of“ neoclassical ”and plays an important role in the history of new poetry.Starting from the text of Yang Mu’ s poetry,this paper analyzes the inheritance and modern transformation of Yang Mu’s poetry to the system of “expressing ambition ” tradition and “blending feelings and scenes ” of Chinese classical poetry,as well as the perfect integration of classical poetry art inheritance and modern innovation realized by Yang Mu in his recent modern drama poetry creation and modern epic experiment,which can provide a mirror for the study of poetry art and the development of Chinese new poetry art.The thesis is divided into three parts: introduction,main body and conclusion.The introduction part mainly introduces the origin and purpose of the topic,summarizes the related research results,and draws up the research ideas and innovation points.The main part is divided into three chapters.The first chapter analyzes the inheritance and modern transformation of Yang Mu’s poetry from the classical inheritance and modern transformation of the concept of “poetry originates from emotion”,the sublation of classical humanitarian feelings and historian consciousness,and the ancient and modern integration of the tradition of “poetry on poetry”.The second chapter explores Yang Mu’s inheritance and modern transformation of the classical poetry’s “blending of emotion and scene” system.It mainly discusses the continuation and transformation of Yang Mu’s poetry on the thinking of“rejuvenating things with emotion”,the inheritance and expansion of the “meaning of supporting things” technique,and the internalization and new changes of the “understanding of mountains and rivers”.The third chapter,from two angles of Yang Mu’s modern drama poetry creation and modern epic experiment,analyzes the ancient and modern fusion of Yang Mu’s poetry art exploration.The conclusion summarizes the achievements of Yang Mu’s exploration of ancient and modern poetry,and puts forward the possibility of in-depth study of the modern transformation of new poetry tradition. |
