A Study On The Geographical Culture Of The Yellow River Film

Under the academic advocacy of "Research on Chinese film geopolitical culture",the research on regional films such as Chinese Western films,northeast films,Jiangnan films,Mongolian films and Tibetan films has achieved fruitful results.These geo film studies based on natural geographical elements such as "land","mountain","climate" and "Grassland" fill our lack of spatial cognition of Chinese films,but the geo film studies based on natural geographical elements of "River" still need to be improved.Based on the natural geographical elements of the river "Yellow River",this paper puts forward the geographical proposition of "Yellow River Film",investigates the origin of the river and civilization,in order to expand the boundary of the study of Chinese film geo culture.At the same time,in the process of objectively looking at the generation,development and transformation of the Yellow River film,we find a reasonable interpretation path for the spiritual picture of Chinese film.This paper consists of four chapters.The first chapter aims to clarify the interpretation of the Yellow River film,determine its specific definition through the geographical and cultural positioning of the Yellow River film,and provide the basis for the correction and even fame of the Yellow River Film in the multi-faceted care of the historical generation track and image signs.The second chapter traces the folk customs along the Yellow River from the two dimensions of "seeing" and "listening" of the Yellow River film,and analyzes the unity and diversity of the life style of the regional people.Based on the natural geographical elements of the "Yellow River",the third chapter dialectically looks at the richness of the natural landscape of the Yellow River and the repeatability of the human landscape,and discusses why the geographical landscape of the Yellow River can be reproduced in Chinese films in the way of "historical rewriting".In addition,pay attention to the geographical relationship between different regions involved in the "liquidity space",and have an insight into the synchronicity of the multi-dimensional discourse space on both sides of the Yellow River,as well as the diachrony of social and historical evolution and human civilization progress.The fourth chapter focuses on the representative cultural projection of the Yellow River Film in community activities and its cultural metaphor in the sense of film rhetoric,and deeply explores the generation motivation behind cultural representation.At the same time,it also pays attention to the inheritance and evolution of the Yellow River culture and even Chinese culture in the change of times,responds to the construction of China’s National Cultural Park in the context of the new era,and then writes the ode to the Yellow River of Chinese films.