| The diversification of media has profoundly changed the production,dissemination,consumption and even criticism mode of literary and artistic works.When discussing,commenting and studying cross media literary works,the cross media phenomenon of critical texts is becoming more and more common.Academic criticism,media criticism and netizen criticism jointly build the space for the generation and extension of text meaning in diversified media such as journals,newspapers,networks and mobile terminals.Their styles are either serious or carnival.They form a relationship of intertextuality and dialogue,which not only shows the richness and diversity of critical texts,It may also have an impact on the reproduction of works,so it has certain academic value.This thesis focuses on For Our Departed Youth and involves online literary and artistic works such as why Sheng Xiao Mo and breaking through the sky.It deeply analyzes the respective characteristics of academic criticism,media criticism and netizen criticism,the conflicts and limitations of the three kinds of criticism,as well as the interactive and symbiotic relationship between the three kinds of criticism,so as to explore and build the dialogue relationship between different types of criticism,Provide cases for the innovation of literary criticism.The full text is divided into four parts.The introduction discusses the research background,research significance and research status at home and abroad.In the cross media context,while literary criticism is close to the public,its characteristics and methods begin to change.While the structural change of the criticism field,the three critical forces are also conspiring,struggling and interacting.In this process,they all encounter difficulties more or less.Foreign scholars mainly focus on the abstract discussion of digital technology and literary theory,tend to theoretical analysis,and pay less attention to network literature and art.Domestic scholars attach great importance to the relationship between the development of digital media and literary criticism,try to change the identity of literary "legislator",and also believe that literary criticism is facing transformation.The first chapter is an overview of the phenomenon of cross media criticism,which discusses the phenomenon of literary criticism and cross media criticism,the influence of media context on literary criticism,and the more representative criticism carrier in cross media context.Firstly,it discusses the historical process of the impact of media development on literary criticism in different historical periods,and comes to the conclusion that literary criticism and media development are closely related.Then it discusses the digestion and reconstruction of traditional criticism by image symbols in the era of mass media.Finally,it expounds the characteristics and operation mode of more representative criticism carriers in the cross media environent.The second chapter focuses on the online novel For Our Departed Youth and its derivative works,lists three kinds of criticism texts: academic criticism,media criticism and netizen criticism,and summarizes the different characteristics and expressions of the three kinds of criticism.Academic criticism is terminological and professional,pays attention to the aesthetic value of the works,tries to find highlights in the vast ocean of texts,and the serious style is consistent.Media criticism is audience oriented,with humorous and concise language style and strong commercial atmosphere.Sometimes there are serious phenomena of "support and kill" and "stick kill".Netizens criticize colloquialism and fragmentation,often falling into the carnival of emotional catharsis because of excessive freedom and disorder.The third chapter introduces the theory of intertextuality and realizes that intertextuality is not only the paradigm of literary criticism,but also the way of text existence.Then,under this understanding,intertextuality is applied to the text analysis of For Our Departed Youth,explore the intertextuality phenomenon between the three kinds of criticism from different perspectives,and point out the two contradictions behind the phenomenon: the conflict about literary legitimacy between netizen criticism and academic criticism,and the squeeze of academic criticism by the discourse hegemony of media criticism.In the face of contradictions,the "presence" speaking environment provided by the rapid development of cross media environment and network has brought the possibility of constructing the public sphere of literature.The construction of dialogue criticism can be regarded as an effective way to solve the above contradictions.The conclusion discusses the possibility of network literary criticism,and summarizes some countermeasures and suggestions described above.From the perspective of the critics and the masses,we should strengthen the relationship between the critics and the critics,whether from the perspective of the academy or the masses,and strengthen the relationship between the critics and the critics,For the majority of Internet users,they should constantly improve their knowledge literacy,get out of Carnival and disorder as soon as possible,cultivate self-awareness and turn to rational reflection."Dialogic criticism" makes it possible to establish a sound public field of criticism.Both experts and civilians can have equal dialogue in rationality. |