Research On The Aesthetic Value Of Folklore Symbols In Chinese Animated Films In The 21st Century

Chinese traditional culture is broad and profound,and folk custom is an important part of it.Folklore is rooted in all stages of human social development.From the study of folklore,we can understand different cultural styles under different social and historical backgrounds.Although the interdisciplinary development of folklore is normal,the research on the combination of folklore and aesthetics is slightly insufficient.With the continuous improvement of people’s cultural needs and the state’s attention to cultural self-confidence in recent years,all kinds of emerging media will focus on the dissemination of national culture.As a unique artistic media,animated film is very conducive to the dissemination of national culture.At the same time,national culture is the source of animation film creation in China.Folk culture can not only improve the artistic level of the film,but also highlight the cultural value.The films launched in recent years have won good box office and reputation,rekindling people’s enthusiasm for domestic animated films.Therefore,this study attempts to analyze the cultural connotation and aesthetic value of folk symbols in Chinese animation films in the 21 st century,analyze and examine folk customs from the perspective of semiotics and aesthetics,so that the aesthetic value of folk culture in animation films can be better accepted and recognized by the audience.The first part is the introduction,which makes a detailed introduction and analysis of the research status at home and abroad;The second part combs the characteristics of nonverbal visual and auditory folk symbols in contemporary animated films,and summarizes the role and usage of folk symbols in films.The third part analyzes the changes and differences between folk symbols in contemporary animation films and animation films in the last century from the aspects of audience,aesthetic representation,emotional expression and narrative system,as well as the similarities between the form of beauty and aesthetic spirit and constructs the aesthetic value model of folk symbols in animation films in the new century.The fourth part summarizes the aesthetic characteristics of folk symbols in contemporary animation films and the role of folk symbols in the film through the transformation of image symbols,symbol symbols and symbol symbols.The fifth part is the design practice of the aesthetic value of folk symbols in animated characters,and verifies its feasibility.The sixth part is the conclusion,which summarizes the main research and shortcomings of this subject.