Research On Deep Clothing In Han Dynasty And Its Application Design In Chinese Wedding Dress

In the lives of contemporary people,people pay more and more attention to the sense of ritual and cultural identity.The strongest sense of ritual in life is the time of wedding,and the choice of wedding clothes is precisely the combination of the two.Since the May Fourth Movement and the New Culture Movement,social classes have changed,and they are generally divided into regions.The upper class in Shanghai and other places have more Westernized wedding dresses,while the presence of Chinese wedding dresses seems to be weak.A little bit.In recent years,with the rise of the Chinese wedding dress market,the government's advocacy of "cultural confidence" and the advancement of the socioeconomic level and the improvement of people's living standards,people choose both wedding dresses and Chinese wedding dresses.The delicacy and exquisiteness of Chinese wedding dresses has gradually attracted people's attention,but its style and structure have been simplistic.The Chinese wedding dresses appearing on the market are the same.The dragon and phoenix are the Xiuhe dresses,which lack the essence of ancient Chinese dress culture.Therefore,this article first conducts an in-depth study on the deep clothing of the Han Dynasty,so that the two complement each other.Mention of Shenyi has to be traced back to the early Chinese history.One of the most representative Chinese costumes,Shenyi has a long history of development,reflecting the clothing culture that has been filled with strong feudal ethics and social class status since the founding of Zhou.The first half of the article will focus on deep clothing in the Han dynasty.A comparative study of deep clothing in the Western and Eastern Han dynasties will be carried out from the perspectives of the development of deep clothing,social background,and artistic characteristics.The second is contemporary Chinese marriage.The design,application and inspiration of dress design,in-depth understanding and research on its form concept,conducted various investigations and studies on related issues such as its art classification,style characteristics and commercial status,extracting the characteristics of contemporary Chinese wedding dress art,and also recognized The shortcomings and deficiencies of wedding dresses in the wedding dress market in the Qing Dynasty,such as lack of cultural heritage and personality characteristics,can be supplemented in subsequent series designs.The last part of the article combines the latest fashion trends and the previous research on the design elements of the deep clothes to carry out a series of designs,using the unique shape characteristics and cultural meanings of the deep clothes,combining traditional culture with modern art,classical feelings and festive,romantic,Aesthetic combination,looking for its inheritance and development,focusing on designing and inheriting it from the perspective of clothing culture revival and innovation,and using the essence of it in the design of contemporary Chinese wedding clothes,so that the two can be combined and innovated,breaking the conventional and traditional The upper and lower skirt wedding dresses are shaped to enrich the market demand for Chinese wedding dresses and enhance the self-confidence of the national culture,and the traditional Chinese dress culture gradually enters the international stage.