On The Application Of Shaanxi Musical Elements In Contemporary Pipa Music

In the prosperous Tang Dynasty,"sitting a kabuki is Yanle,a pipa is the main,so it is called the pipa song".Thus,it can be seen that the pipa already occupied a dominant position in the band at that time.From Wei and Jin dynasties to Tang Dynasty,pipa gradually developed from a foreign musical instrument to an important musical instrument in today's Chinese traditional musical instrument,which is closely related to Chinese traditional culture for a long time.In the process of sorting out two works of Shanxi music style,"homesickness","Weishui",I found that since the 1950 s,there have been a large number of Shanxi music style music creation,thus finding that the existing music creation style in Shanxi has a certain significance of the times.Since 1980's,with the development of society,music culture has entered a new stage,pipa music has reached a new peak.Starting from 1980,Yan Huichang wrote "homesickness Song",from 1980 to 2016,represented by Ren Hongxiang and qu Wenjun,creative musicians and Zhao Ji.The composers represented by Ping and Yan Huichang have created more than 20 excellent works with Shanxi music style in the analysis of Shaanxi regional music.By sorting out the works of Shanxi style pipa,Shanxi music elements,the main representative characters and contributions,this paper analyzes and studies the contemporary Shanxi style pipa music works and Shanxi music elements macroscopically,which has certain reference value for the development and research of Shanxi style pipa works.