Guanzhong Daoqing Music Culture Research

Guanzhong Daoqing,also known as Chang'an Daoqing,is one of the four schools of Daoqing in Shaanxi.In 2007,it was selected as the first intangible cultural heritage list of Shaanxi Province as a piece of Quyi music.It is circulating in counties and districts around Xi'an,such as Chang'an,Zhouzhi,Lintong,and Lantian.After reading and thinking about Guanzhong Daoqing and Daoqing related articles and books,based on more than ten fields,based on the two backgrounds of Guanzhong Daoqing's production background and music characteristics,this paper reflects the music of Guanzhong Daoqing and its behind for a deeper interpretation of certain cultures.The full text is divided into eight parts.The first part is based on the historical development and morphological changes of the whole Daoqing and Guanzhong Daoqing.The second part is a description of the natural environment in the area where Guanzhong Daoqing spreads and the local cultural environment that influences the development of Guanzhong Daoqing.The third part is a detailed analysis of the morphological characteristics and changes of Guanzhong Daoqing's three existing performance forms,like Sitting and singing Daoqing,Shadow playing Daoqing and Operatic Daoqing.The fourth part is the analysis of the musical system and characteristics of Northwest characteristics such as the tone scales of Guanzhong Daoqing music.The fifth part is a review of the accompaniment instruments used by Guanzhong Daoqing.The sixth part is based on the research of Guanzhong Daoqing's history of Qupai tunes and the existing and still used Qupai tunes.The research on the combination of the Qupai tunes and the music structure of the tracks in some fields,including the core Qupai tunes and Analysis of other Qupai tunes;plate variations and their characteristics.The seventh part is the type analysis of Guanzhong Daoqing's drama after collecting and sorting.And sort out the repertoire in the repertoire data obtained from the field investigation,so as to avoid the problem of double counting when calculating the repertoire of Guanzhong Daoqing.The eighth part is a comprehensive investigation of the cultural orientation and social identity of Guanzhong Daoqing,which wanders between divinity and vulgarity.