Waiting To Cross: A Study On The Relationship Between Poetry And Painting In Qian Xuan's Landscape Painting

Qian Xuan is a pioneer painter in the late Song Dynasty and early Yuan Dynasty.This study is based on the analysis of the different characteristics of Qian Xuan's existing paintings,and this paper is closely linked with the emotional resonance of Qian Xuan's life background and personal experience,combining with the traceability of poems on paintings,artistic practice and inner emotional sustenance,which explains the unique characteristics of the relationship between poetry and painting in Qian Xuan's landscape paintings and explores the pioneering role of Qian Xuan.In this way,it shows the harmonious relationship between the landscape paintings and poetry,and culture orrespondence unification personalized characteristics.The thesis is divided into three chapters: The first chapter discusses the double contradiction between "seeking seclusion" and "estrangement" in the theme behind the landscape painting through the analysis of Qian Xuan's "near-nothing" pen and ink painting,the "near-natural" green color and the "isolated island" and "one river and two banks" in the composition of the landscape painting,and further discusses the clear,elegant and elegant style of "Peach Blossom Garden" and the "difficult-to-reconcile" painting style of the distance between the subject and the object.The second chapter discusses the "freehand brushwork" and "rhyme" of Qian Xuan's self-titled poems,analyzes the composition of the language image of the poetic scene and the emotional deepening of the "hidden meaning" and "the heart to be crossed",and also discusses the timeliness of the language of the poems and the spiritual purport of the poetic scene.In the third chapter,through the analysis of the visible natural formal beauty and the invisible poetic sentiment of landscape painting,the author discusses the poetic reversion of the relationship between poetry and painting in landscape painting,which is "painting combines poetic sentiment,and poetry combines painting with heart".Through the study of the relationship between Qian Xuan's landscape painting and poetry,this paper points out the philosophical connotation of the landscape painting "Waiting to be ferred man" and explores the different artistic presentation and life significance of Qian Xuan's landscape painting,which is different from other people's landscape paintingat the same period.