Research Themes Of Traditional Chinese Landscape Painting In Return Ferry

Since the development of the Eastern Jin Dynasty landscape painting sprouted until Ming Dynasty landscape painting, landscape painting has always been men of literature and writing the love depicted in the images, on the theme, to cross the paintings convey human feelings have been respected by the painter. Why this theme landscape painting artistic conception can best convey the artist’s heart? The author thought."The world-hee-hee, are to benefit:the world is often, to the benefit of both."(Sima Qian’s "historical records") for the benefit of people are tired, always enjoy it. Truly I abandon the people to have a few people in this environment. But the landscape painting is frustrated literati soothing feelings of the media, also from the side to promote the development of Chinese art history. The literati in reality anguish through landscape relief, but really can abandon the world of mortals and landscape is not much fun. Since the song yuan to ferry theme landscape painting reached its climax, during this period of landscape painting is not only the theme, the text innovations compared with the previous generation of landscape painting, more is a transitional Literati Spirit, to achieve a higher level of sublimation, each one to cross the landscape painting is painting a heart a "crossing", return to original, across the world better. Really I abandoned the literati at the time of late Song and early Yuan Qian Xuan, his creation to ferry theme landscape painting in the Chinese painting history plays a transitional role, why Qian Xuan selected landscape painting in ink landscape painting as the background context or in green ink to express landscape temperament? What is the reason for Qian Xuan to choose to cross the landscape looks clumsy without China and profound knowledge and elegant charm? Is deliberately to or the inevitable historical development stage? The painter was to create a landscape painting with how thoughts and feelings? His thoughts have what innovation and change? These are studied in this paper.In the paper, the text is divided into three parts:The first part from the time gives an overview of the Six Dynasties to Ming and Qing Dynasties to cross the theme landscape painting source and return Du moral theme landscape image. By reason of its symbol and meaning reflect the Song Yuan landscape to the cross subject. The second part with Qian Xuan as an example to be selected through the theme of landscape analysis. Specifically from the layout, text, picturesque areas to explore, focus on Qian Xuan to choose to cross the theme landscape painting, his several landscape as a process of the soul "to the cross", what makes his landscape painting out of the ordinary in this period? Then the third part.The third part focuses on the creation of Qian Xuan to cross the idea behind the reform theme landscape. By comparing the thoughts and the former painters, and choose their Qian Xuan with Tao Qian’s feelings can know the painter creation to crossing the inevitability of landscape painting.Through the above discussion and analysis, to clarify each period through the development process of paintings and to cross the theme landscape painting represents an attitude to life. Conclusion:to convey the theme of landscape painting through the emotion is a medicine of literati spiritual comfort, Qian Xuan is chosen as a return ferry representative painters Paintings during the prevalence, the spirit of seeking for deduction is very strong.