A Study Of Chinese "pavilion" Aesthetic Culture

The traditional architectural form of Pavilion,like other traditional architectural forms in China,has profound aesthetic cultural connotation and artistic appeal.Like other traditional architectural forms in China,pavilion has experienced a long historical process from practicality to aesthetics.The later aesthetic transformation experienced a long historical process.Pavilion only has the form beauty of traditional architecture,but also has the poetic artistic conception beauty,which adds the "finishing touch" to the natural landscape.The different functions of Pavilion architecture in a specific period can reflect the aesthetic characteristics of that time.Although its function is constantly changing,the cultural value and aesthetic characteristics of the pavilion are constantly sublimated.Therefore,as a unique architectural form in China,Pavilion is not only the product of ancient Chinese aesthetic concept,but also the externalization and characterization of traditional Chinese philosophy.This paper is divided into four parts.The first part with the historical development and structural form of Chinese Pavilion,showing the spatial,material and functional characteristics of the pavilion,and introduces the image characteristics of the pavilion as a Chinese traditional architectural sketch itself;the second part introduces the formal language of the pavilion,from the architectural language that forms the basic form of the pavilion,to the beauty of the spatial form of the pavilion,and then analyzes the form of the pavilion from the inside to the outside in the garden The third part explains the change of pavilion from practical function to artistic aesthetic object,the formation of aesthetic consciousness in Pavilion is due to representation,from empathy to time,and the temperament of its own form is fully explored and used by scholars and craftsmen of all ages,and then it becomes a unique aesthetic culture of China,reflecting a unique classical cultural connotation;the third part explains the change of Pavilion from practical function to artistic aesthetic object The fourth part extends from the study of Pavilion,a unique traditional architectural sketch in China,to the general concern about the aesthetics of ancient Chinese traditional architecture.It combines the changes of aesthetics with the creation of aesthetic ideas,and tries to explore the influence of traditional aesthetics on the development of architectural aesthetics in the new era,so as to provide useful reference for the development of Chinese architectural aesthetics.Hope to provide useful reference and supplement for the development of Chinese architectural aesthetics.