A Study Of The Reception Of "Sanshi Pan" In The Qing Dynasty

Research on the Acceptance of in the Qing Dynasty" mainly from the perspective of calligraphy acceptance,discusses the acceptance of "San Shi Pan" in the Qing Dynasty in different periods,and makes a systematic summary and summary of the concept of imitating seal characters based on "San Shi Pan"."San Shi Pan" was unearthed in the Qing Dynasty when steleology was rising and developing.Its excavation is of great significance for both academic research and calligraphy research and creation.According to their own artistic practice,calligraphers in the qing dynasty constantly absorbed nutrition from the unique inscription form of SAN shi pan and endowed it with new calligraphic significance,which gradually formed a unique and rich style and appearance of seal script in the qing dynasty.This paper focuses on the reception process of San Shi Pan in the Qing Dynasty,aims to explore the similarities and differences in the reception of San Shi Pan by calligraphers of Qianjia-Jia Dynasty in the Qing Dynasty and later periods,sort out the aesthetic concept of calligraphers’ acceptance of San Shi Pan,and the influence of the reception effect of San Shi Pan in the Qing Dynasty on modern and contemporary calligraphy.This paper will be divided into five chapters to study the acceptance of "San Shi Pan" in the Qing Dynasty.The first chapter mainly studies the cause of its inscription style and its special expression through the textual research of scholars in the Qing Dynasty on "San Shi Pan".The second chapter mainly studies the acceptance of Sanshi Pan by Deng Shiru,Chen Shouqi and Shi Dashou from Qianjia-Tongzhi period.The third chapter mainly studies Yang Yisun,Wu Dacheng and Wu Changshuo’s acceptance of San Shi Pan in the Guangxu period.The fourth chapter mainly studies the acceptance of Sanshi Pan by Wang Xun and Li Ruiqing in the period of Xuantong.The fifth chapter mainly studies the influence of the reception effect of San Shi Pan in the Qing Dynasty on the modern calligraphy under the trend of "the integration of inscriptions",and further demonstrates the acceptability of San Shi Pan in the level of calligraphy art.The author thinks that the unique inscription form of "San Shi Pan" is expressed through its line pattern and its established linear combination relationship.,therefore,to acceptance of the dispersing’s plate in qing dynasty,should be through to the dispersing’s plate for determining the object of calligraphy in the line style,the linear combination relation,mutual melting of brushwork,etc.,to analysis the manifestation and think,further study of the dispersing’s plate in qing dynasty,in order to can have a deeper understanding and awareness of the qing dynasty calligraphy.