Explore The Creation Of Stage-based Folk Dance With "Jiangnan Temperament"

From the perspective of stage folk dance creation,this paper explores Jiangnan dance creation through field collection,data collection and creative practice.Taking the creation practice analysis of Jiangnan series of works compiled by the author as an example,this paper analyzes the relevant research on the concept of "Jiangnan" from the perspective of dance creators,so as to provide theoretical basis for practice On the basis of further understanding of the regional style,historical culture,humanistic characteristics and aesthetic characteristics of Jiangnan,this paper summarizes the "Jiangnan temperament" in line with the local aesthetic characteristics and cultural characteristics,and on this basis,carries out the practice of Jiangnan dance creation,trying to convey the unique temperament of Jiangnan to the audience through modern stage creation techniques."The south of the Yangtze River is good,and I used to be familiar with its customs.Can you remember Jiangnan? " Jiangnan's specific natural and cultural environment shapes the unique temperament of Jiangnan.As the author's aesthetic pursuit in the process of degree works creation,this temperament strives to run through the process of works creation practice.Jiangnan series works collection contains five works,namely: Women's solo dance "spring bosom",women's solo dance "fishing boat singing evening",women's group dance "Gusu embroidery",men's trio dance "fishing trouble" and duet dance "memory of spring breeze".the analysis of the creation practice of Jiangnan series works,and the reflection of the creation practice of Jiangnan series works.The author attempts to make further thinking through the combination of academic papers and academic works,and the mutual support of theory and practice.From the analysis of the creative process to the reflection of creative practice,taking the works in Jiangnan series as the key analysis object,the author analyzes the control and presentation of Jiangnan temperament in the creation of Taihua folk dance,so as to provide reference for the author's future creative practice And lay the foundation for theoretical research,and provide personal understanding for the creation of stage folk dance.