Song Dynasty Sun Shaoyuan's "Sound And Picture Collection" Research

Painting poetry is an important artistic form of the combination of poetry and painting in ancient China,but there is no unified understanding of the origin of painting poetry,according to some scholars,there are nearly twenty views.From the perspective of the evolution of poems inscribed on paintings,the forms of poems inscribed on paintings had appeared before the Tang Dynasty,but they had not yet formed a scale and did not arouse enough attention.In the Tang Dynasty,with the development of poetry,poets and painters began to think about the poetic meaning and the poetic mood of poetry from the perspective of the interaction between poetry and painting.Zhang Yanyuan’s a record of famous paintings in the past dynasties records that the famous poet Wang Wei wrote a picture of Wangchuan at that time,can Be taken as a proof of the integration of poetry and painting.Although other poets have never painted,the creation of poems with paintings has never been neglected.Of the more than 50,000 poems in the complete poems of the Tang Dynasty,there are more than 200 poems on paintings.Although the proportion of poems on paintings is not high compared with the total quantity,it is a great leap forward both in quality and quantity compared with the previous generation.To the Song Dynasty,the writing of painting poetry into a climax,a large number of high-quality,whether it is a famous giant,or unknown small family have painting works handed down.In such an atmosphere,Sun Shaoyuan compiled the "sound painting set" came into being.Sheng Hua JI is a summary of the poems inscribed on paintings from the Tang Dynasty to the Chunxi years of the Southern Song Dynasty.It contains one hundred and seven poets from the Tang and song dynasties,and eight hundred and twenty-four poems from six hundred and seven topics,it is of great value to study systematically the creation of poems inscribed on paintings in this period.As for the study of the collection of sound and picture,the former scholars either made a concise and comprehensive view on it,as a supplement to other studies,or only focused on one of the themes of poetry.Generally speaking,the academic research on the collection of sound and picture is scattered,and there is no comprehensive and in-depth study on the reasons,the tendency of poetry selection and the aesthetic standards of the collection.This thesis is a monographic study on the collection of sound and picture,which is intended to be on the basis of the previous research results,the first chapter analyzes the reasons for the completion of the book from the perspective of the objective background of the times and the subjective will of the editor,and systematizes the whole book of poems,the second chapter investigates the reasons and Writing Patterns of the selected poems in the collection of sound and picture The Third Chapter Analyzes Sun Shaoyuan’s artistic cognition and aesthetic interest in the intercommunication of poetry and painting through the selection of poems in the collection of sound and picture The fifth chapter summarizes the double value of "sound and picture collection" to poetry and painting.