Compilation And Poetic Significance Of "the Collection Of Sound And Painting" By Sun Shaoyuan

The "Sound Painting Collection" compiled by Sun Shaoyuan of the Southern Song Dynasty is the first collection of inscription poems in ancient China,which recorded the inscription poems of the poets of the Tang and Song Dynasties and the poems related to painting,and a total of 104 poets 608 poems,with the document value of preserving poems.Because of the particularity of its chosen poetry subject matter,"The Sound Painting Collection" has become a concentrated display of the outstanding inscription poetry of Tang and Song Dynasty,and its selection and concrete works contain rich Theory of Tang and Song poetry painting,which is of great value for the study of the development of poetry theory,the history of painting,the history of inscription poetry creation and the in-depth study of the poetry rheology of the Song Dynasty.At present,the academic circles pay little attention to the "Sound Painting Collection" and the overall research is relatively small,So this paper intends to carry out a relatively systematic study of the "Sound Painting Collection" from the two dimensions of literature and poetics.This paper mainly takes the Qing Dynasty Wenyuange Si Ku Quan Shu and the National Library of The Tibetan Kangxi years as the main version,and with reference to other historical comparative studies.It is proposed to carry out a more comprehensive study of the "Sound Painting Collection",In order to explore the literature value of the "Sound Painting Collection" and poetic value,for the Chinese inscription poetry historical research and poetics research to provide valuable reference.The full text first introduces the author of "The Sound Painting Collection" and makes further discussion on the basis of the author of the poem,the author’s origin,life and so on.Secondly,it discusses the nature of the book as the aggregate and the anthologary features,and explores the characteristics of its version and the arrangement.So as to grasp the whole content of the Sound Painting Collection,and also makes some explorations on the problems and literature values in the literature of the Sound Painting Collection.Then from the angle of selection,We study the concept of selected poetry in the "Sound Painting Collection",and discuss its poetic significance.The above is mainly from the literature and the selection of anthology of poetry,the basic research of the "Sound Painting Collection".The third and fourth parts of this paper,mainly from the "sound painting collection" special topic painting poetry and painting-related poetry this particular,analysis of the "sound painting collection" for the deepening of the Tang and Song poetry theory,and for the Song Dynasty inscription poetry creation of the theoretical and practical enlightenment significance,trying to from the poetic level of the value of "sound painting collection" for further study.In the third part of this paper,the theory of poetry painting in the Tang and Song Dynasties is combed,the relationship between the development of poetry and painting is analyzed,how the theory of poetry painting moves from adjacent to each other to fusion maturity,and the profound influence of this trend on poetry and painting,and analyzes the basis of the communication of poetry and painting with the Song Dynasty inscription poem as the main body.From a side view of the Song Dynasty poetry,especially the development and characteristics of inscription poetry,mainly reflected in the Song Dynasty painters pay attention to the improvement of literate literacy,the creation of literary painting embodies the spirit of the scholar-bureaucrat,poetry intention to create the poetry.In addition to the performance of the poem and the expression of poetry in the painting two aspects,in addition to the performance of the poem and the performance of the poem in the painting,The specific practice of the theory of poetry and painting in the Song Dynasty is examined.This part is mainly from the theory to practice two levels,combined with the work of the whole grasp of the "sound painting collection" in the theory of poetry and painting.The fourth part of this paper mainly studies the influence of "Sound Painting Collection" on the development of Song Dynasty inscription poetry,analyzes how the literary painting promotes the development of Song Dynasty inscription poetry,expounds some remarkable features of the Song Dynasty inscription poetry selected by the "Sound Painting Collection",and briefly discusses the far-reaching significance of the creation of Song Dynasty inscription poetry for the development of posterity poetry.In short,starting from the literature,grasping the particularity of "The Sound Painting Collection" and exploring the development of the theory of the Song Dynasty poetry from the poetic dimension,as well as the concrete influence of the creation of poems in the Song Dynasty,is the basic idea and the basic goal of this paper.